Center for Creative Photography (CCP) (Continued)
Center for Creative Photography, 253
copyright, 254
department of rights and reproductions, 254
exhibitions hosted by, 252
exhibitions, 253
founding archives, 253
founding of, 252
further reading, 254
Harold Jones, 253
Light Gallery, 253
location of, 252
manuscript collections, 253
print collection, 253
publications circulated by, 252
publishing record, 253
scholarly bibliographies, 253
traveling exhibitions, 253
Central Africa,seeAfrica, Central and West
Central America, 254–260
aesthetic, 255
arrival of photography, 254
Barbados, 259
Caribbean countries, 254
colonialist market, 255
Coloquio Latinoamericano de Fotografia, 256
comment by Fidel Castro, 255
communication structure, 257
contemporary reality, 256
Corcoran College of Art and Design, 259
Costa Rica, 259
countries, 254
criticism of Hecho colloquia, 256
Cuba, 257
decline in sponsorship of documentary photography, 256
dictatorships, 256
distinctive aura to Latin American work, 256
documentation by journalists, 255
Dominican Republic, 259
El Salvador, 258, 259
Fidel Castro’s official photographer, 258
Fotofest, 257
Fotogrupo, 259
further reading, 260
Guatemala, 258
Guerrillero Heroica, 258
Honduras, 258
hoping for social change, 257
identity, 255
Images of Silence, 255, 257
In the Eye of the Beholder, 259
itinerate photographers, 255
Jamaica, 259
Jueves 68, 259
lack of available information, 257
leftist orientation, 256
mobile business of photography, 255
Museum of Contemporary Hispanic Art, 258
mythical interpretations, 256
Nicaragua, 258
Nicaraguan Institute of Film, 258
Panama, 258
perspectives, 255
photography competition, 256
photojournalism, 258pioneer photographers, 254
Popular Culture Association, 259
Portobelo, 258
praise forHecho en Latinoamerica, 257
Puerto Rico, 259
recent paths of photography, 257
Revolucion, 258
revolutionary importance, 258
scarcity of information, 255
sources of information, 255
struggles for political stability, 255
studio portraiture, 255
surprise visit by Fidel Castro, 256
three-dimensional works, 258
unified projects, 256
violent national agenda, 259
web galleries, 259
Windows on Latin American, 255
Zonezero, 259
Zurich exhibition, 257
Centre Nationale de la Photographie (CNP), 260, 261
American Farm Securities Administration photography project,
261
audiovisual productions, 261
audiovisual productions, 261
biennial exhibition, 260
contact sheet, 261
creation of, 260
cultural services, 261
first director, 261
Grand Prix International Henri-Cartier Bresson Award, 261
One Minute for One Image, 261
Palais de Tokyo, 260
Photo Poche, 260
Printemps du Cahors, 261
publication, 260
Regis Durand and, 261
role of, 261
solo exhibitions, 260
vision for, 261
works of unknown photographers, 260
world’s largest exhibition space, 260
CF form factor,seeCompactFlash form factor
CFAs,seeColor Filter Arrays
Chambi, Martı ́n, 262–264
American Revolutionary Popular Alliance, 262
appreciation of indigenous culture, 262–263
apprenticeship, 262
artistic legacy, 262
biography, 263
cultural identity, 263
dignity of individuals, 262
Earthwatch Foundation, 263
Edward Ranney and, 263
further reading, 264
group exhibitions, 263
Inca culture, 262
individual exhibitions, 263
Indo America, 262
Machu Picchu, 263, 264
most productive years, 263
newly rich clients, 262
outdoor work, 262
Peruvian, 262, 263
political indifference, 262, 263INDEX
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