Coburn, Alvin Langdon (Continued)
Composition, 290
experimenting in photography, 291
further reading, 293
George Bernard Shaw, 290
group exhibitions, 291–293
individual exhibitions, 291
Linked Ring Brotherhood, 290
Little Galleries of the Photo-Secession, 290
Metropolitan Magazine, 290
naturalized British citizen, 291
New School of American Photography, 290
nickname, 290
non-objective photography, 291
Pictorial photography’s soft tone, 291
portrait studio, 290
selected works, 293
spiritual concerns, 291
Symbolist leanings, 291
Vorticist movement, 291
Vortographs, 291
Cohen, Lynne, 293–296
artist residencies, 295
biography, 295
black and white work, 294
Canadian, 293–295
desire for directness, 294
early influences, 294
evolution of subject matter, 293
Formica, 294
found places, 294
framing of photographs, 295
Front and Back, 294
further reading, 296
group exhibitions, 295, 296
individual exhibitions, 295
Minimalism, 294
modern human experience, 295
New Topographic photographers, 293
No Man’s Land, 294
Pop Art, 294
printmaking projects, 294
selected works, 296
signature impassive style, 293
social landscape, 293
stand-ins for bodies, 294
view camera, 294
Coke, Van Deren, 297–299
American, 297, 298
biography, 298
Cibachromes, 298
control of Eastman House, 297
court enigma, 298
Edward Weston and, 298, 299
essence of art, 298
first American exhibition by contemporary German artists, 297
flashing prints, 298
further reading, 299
group exhibitions, 298
individual exhibitions, 298
means philosophic communication, 297
rejection of art history topic, 297
San Francisco Museum of Modern Art, 297
selected works, 298, 299
self-expression, 297
surreal photographs, 298
Cold War, aerial imagery during, 21
Colonial ethnography, 28
Color correction filters, 213
Color Filter Arrays (CFAs), 218
Color temperature, 299, 300
CCD sensors, 299
daylight film, 299
definition of, 299
digital cameras, 299
filters, 299
fluorescent light, 300
further reading, 300
improper color balance, 300
magenta filter, 300
natural daylight, 300
photo floodlight, 299
tungsten film, 299
tungsten light bulb, 299
types of film, 299
white balancing, 299
Color theory, natural and synthetic, 300–303
achievement of color balance, 302
Adobe PhotoShop, 302
analogous hues, 303
brightness, 300
Cibachrome, 302
CMY primaries, 301
CMYK mode, 302
color balance in digital imaging, 302
color contrast, 303
color elements, 300
color transparency film, 301
color wheel, 301
cool colors, 303
dye diffusion, 302
dye sublimation prints, 302
early color experimentation, 301
graininess and fast film, 302
hue, 300
Ilfachrome, 302
Kodachrome film, 301
overexposure of slide film, 301
perceived difference in adjacent colors, 303
photo multiplier tubes, 302
photographic color theory, 300
process color, 302
process popular for advertising, 301
purposes of color photography, 303
RGB colors, 301
saturation, 300
subtractive color process, 301, 302
value, 300
warm colors, 303
Communication, picture as means of, 1
Communication, symbolic, 134
CompactFlash (CF) form factor, 219
Complementary Metal Oxide Semiconductor (CMOS), 218
Composition, 303–305
balance, 304–305
basic building blocks of image, 304
contrast, 304
emotional response, 304, 305
focus, 304
framing, 304INDEXI25