Creative camera(Continued)
funding, 340
further reading, 341
gallery guide, 339
international debate, 339
mail-order section, 339
Mansfield Books International, 339
Mass Observation project, 339, 340
MoMA closing exhibition, 340
photography critic, 341
photography’s progression since World War II, 339
public projects, 339, 340
Realist Movement, 340
separation between articles and photographs, 340
stylistic grit, 340
subscription base, 341
Thinking Photography, 340
three-dimensional presence, 339
Victoria and Albert Museum, 341
Crewdson, Gregory, 341–344
aesthetic technique, 342
aesthetic vision, 342
ambiguous narrative, 342
American vernacular landscape, 342
American, 341, 342
Aperturemagazine, 341, 342
biography, 342, 343
Cindy Sherman, 342
controlled lighting, 342
description of photography, 341
Diane Arbus, 341
documentary photography with staged elements,
342
fictional worlds, 341
further reading, 344
group exhibitions, 344
individual exhibitions, 343
influential films, 342
Natural Wonderseries, 342
selected works, 344
suburbia, 341
Twilightseries, 342
uncanny aspect of photograph, 342
use of narrative in photography, 341
Vertigo, 342
Crime photography, 344–346
abuse, 345
autopsy record, 345
common sub-area, 344
crime victims, 345
Federal Bureau of Investigation, 345
further reading, 345
J. Edgar Hoover’s philosophy of overkill, 345
John Wilkes Booth, 344
later investigation and, 344
murder scenes, 345
national legitimacy of, 344
philosophy, 345
photograph analysis, 344
reconstruction of crime scenes, 344
shocking photographs, 345
stakeout, 345
thoroughness, 345
types of, 344
Wanted posters, 344
Cropping, 346–348
Adobe Acrobat, 347
clip art catalogue, 347
contact printing and, 326
definition of, 346
freeform, 347
general principle for use of space, 347
golden triangle, 347
images eliminated, 346
importance of background, 347
journalism and, 346
layout and design, 346
means of, 347
Microsoft Picture IQ, 347
one-click, 347
Patrick Tosani and, 1548
Photo-Channel Networks Inc., 347
PhotoIQ, 347
virtual correction, 347
CSFA,seeSchool of Fine Arts
Culture wars, 38
Cunningham, Imogen, 348–352
After Ninety, 350
American, 348–350
Aperturemagazine, 350
avant-garde culture, 348, 349
Berkeley Art Museum, 349
biography, 350
Camera Work, 348
celebrity, 350
commercial portraiture, 349
conservatism of Victorian era, 348
double-exposures, 349
Duchamp’s famous Dada painting, 349
fellowship, 348
Film und Fotoexhibition, 349
first portraits, 348
first solo exhibition, 349
further reading, 351, 352
group exhibitions, 351
Group f/64, 349
Guggenheim Fellowship, 350
Harper’s Bazaar, 349
individual exhibitions, 350
Lisette Model and, 349
nude photography, 348
portrait studio, 348
portraits in last series, 350
portraits of diverse personalities, 348
re-photography, 350
risks taken early in career, 348
search for reality, 348
selected works, 351
street photographs, 349
studies of mother and child, 348
The Craftsman, 348
thesis, 348D
Dada, 353–355
cameraless images, 353
constructed reality and, 321INDEXI29