Voguemagazine (Continued)
Blumenfeld and, 142
Cecil Beaton and, 108, 109
editor-in-chief, 309
fashion editor, 309
Herbert Bayer and, 106
Vorticism movement, 6
Vortographies,6
Voyeuristic iconography, Arbus’s, 53
VR,seeVirtual reality
VSW,seeVisual Studies WorkshopW
Wall, Jeff, 1631–1636
back-lit Cibachrome transparencies, 1632
biography, 1633, 1634
Canadian, 1631–1633
computer-aided imagery, 1632
Conceptual art and, 1631
Courtauld Institute of Art, 1631
Dead Troops Talk, 1633
digital manipulation, 1631
Double Self-Portrait, 1632
Faking Death, 1632
further reading, 1636
group exhibitions, 1634, 1635
imagined truths, 1631
individual exhibitions, 1634
interest in cinema, 1631
large-scale color transparencies, 1631
lightbox photographs, 1632
philosophical comedy, 1633
Picture for Women, 1632
preoccupations, 1633
prestigious honor, 1633
selected works, 1635, 1636
The Stumbling Block, 1632
visual anthropology and, 1628
War
aerial photography and, 20
internalized effects of, 133
photographer, greatest, 237
Warhol, Andy
John Coplans and, 329
landmark photo silkscreens, 46
War photography, 1636–1644
Abu Ghraib prison, 1641
aesthetic surplus, 1640
alternate form of engaged 1639
archive of World War II pictures, 1638
authenticity, 1639
Canadian, 233
Cold War, 1641
concerned, 1642
crimes against humanity, 1641
death camps, 1641
destruction of European Jewry, 1640
Dwight D. Eisenhower, 1638
Eddie Adams, 1642
embedded reporting, 1643
empathic documentary photography, 1638
further reading, 1644
gruesomeness of soldiers’ experiences, 1637Hiroshima-Nagasaki ’61, 1640
human costs of war, 1637
illustrated battlefield tour guides, 1637
indictment of way, 1639
Life’s portrayal of war, 1638
Magnum Photos, 1639
mediated records, 1636
Middle East conflicts, 1643
modern warfare, 1636
mushroom cloud, 1640
Nazi genocide, 1641
Nazi propaganda magazine, 1638
negative epiphany, 1640
Normandy invasion, 1639
photographs censored by military, 1637, 1638
photography of atrocity, 1641
popular memory, 1638
private cameras of anonymous soldiers, 1637
professional, 1643
propaganda ministry, 1640
Pulitzer Prize winning photographs, 1642
risks and values of, 14
Robert Capa and, 1639
Shoah, 1640
Signal, 1638
Soviet photographers, 1639
Susan Sontag, 1640
technologically advanced weapons, 1636
television coverage, 1642
Text offensive, 1643
twentieth-century death tools, 1636
U.S. postwar hegemony, 1641
Vietnam, 1642
Vietnamese nationalist resistance, 1643
visual culture, 1636, 1637
Watanabe, Yoshio, 1645–1647
ancient Shinto Shrine, 1645
authentic depiction, 1643
avante-garde, 1645
awards, 1646
biography, 1646
Camera Works, 1645
further reading, 1647
group exhibitions, 1647
individual exhibitions, 1646
International Report Photographers Society, 1645
Ise Shrine, 1645
Japanese, 1645, 1646
Library of Congress FSA-OWI collection, 1643
New Objectivity, 1645
Photographic Society of Japan, 1646
Photo-Times, 1645
sacred ceremony, 1646
selected works, 1647
spiritual dialogue between human being and divine spirits,
1645, 1646
Tokyo Metropolitan Museum of Photography, 1645
War on Terrorism, 1643
Webb, Boyd, 1647–1650
best-known images, 1648
biography, 1648
clash between nature and technology, 1648
computer-manipulated photographs, 1647
digital manipulation, 1648
diptychs, 1647INDEX
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