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L’art Conceptuel, une perspective, exhibition catalogue,
Paris: Muse ́e d’art Moderne de la Ville de Paris, 1989.
Battcock, Gregory, ed.Idea Art: A Critical Anthology. New
York: E.P. Dutton and Co., 1973.
Goldstein, Ann, and Anne Rorimer, eds.Reconsidering the
Object of Art: 1965–1975. exhibition catalogue. Museum
of Contemporary Art, Los Angeles, and Cambridge,
Massachusetts: MIT Press, 1995.
Information, exhibition catalogue, New York: The Museum
of Modern Art, 1970.


Lippard, Lucy R.Six Years: The Dematerialization of the
Art Object from 1966 to 1972. New York: Praeger, 1973.
Meyer, Ursula.Conceptual Art. New York: E.P. Dutton
and Co., 1972.
Morgan, Robert C.Conceptual Art: An American Perspec-
tive. Jefferson, North Carolina: McFarland and Co., 1994.
Wiehager, Renate, ed.Photography as Concept/Fotographie
als Handlung. exhibition catalogue, ‘‘4. Internationale
Foto-Triennale, Esslingen,’’ Ostfildern, Germany:
Cantz Verlag, 1998.

Bruce Nauman, Self-Portrait as a Fountain (from the portfolio Eleven Color Photographs),
1966–1967/70, Collection Museum of Contemporary Art, Chicago, Gerald S. Elliott
Collection. Original in color.
[Photograph#Museum of Contemporary Art, Chicago]


CONCEPTUAL PHOTOGRAPHY
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