temporary Arts Museum; Santa Barbara, California;
Ansel Adams/Friends of Photography Center; San Fran-
cisco, California
2002 Night Skies and Imaginary Coordinates: The Artist as
Navigator; Palo Alto Art Center; Palo Alto, California
Selected Work
Confirmation, Chicago, 1968
Banares, India, 1979
Petroglyphs, Sears Point, Arizona, 1985
Kapo Kohe Lele, Ancient Ceremonial Cave for Pele, Goddess
of the Volcano, Puna, Hawaii, 1986
Entwined Buddha, Ayuthaya, Thailand, 1988
My Hand with My Mother’s, 1987
Stones, Kau Desert, Hawaii, 1991
Petroglyphs and Star Trials, Sonora, Mexico, 1991
April 16, 1893 (eclipse), 1995–6
Dots and Hands, Fourteen Window Ruin, Utah, 1987
The Heavens, 1997
Further Reading
Connor, Linda.Marks in Place: Contemporary Responses to Rock
Art. Albuquerque: University of New Mexico Press, 1988.
———.Solos: Photographs by Linda Connor. Millerton,
New York: Aperion Workshops Inc., 1990.
———.Luminance. Carmel, California: Center for Photo-
graphic Arts and Woodrose Publishing, Carmel, Cali-
fornia, 1994.
———.On Music of the Spheres, essay by Charles Simic.
New York City and East Hampton, New York: Whitney
Museum of American Art and Glenn Horowitz Book-
sellers, 1996.
———. Visits. Syracuse, New York: Robert Menschel
Photography, 1996.
Bright, Deborah. ‘‘The Machine in the Garden Revisited:
American Environmentalism and Photographic Aes-
thetics,’’Art Journal, vol. 5, no. 2 (Summer 1992): 60–71.
Davis, Keith and Polly Schaafsma.Marks in Place: Con-
temporary Responses to Rock Art. Albuquerque: Univer-
sity of New Mexico Press, 1988.CONNOR, LINDA
Linda Connor, Petroglyphs and Star Trials, Sonora, Mexico, 1991.
[Courtesy Haines Gallery, San Francisco, California]