Board_Advisors_etc 3..5

(nextflipdebug2) #1

The Multiple Image; Massachusetts Institute of Tech-
nology, Cambridge, Massachusetts
1972 Photography Invitational; Nova Scotia College of Art
and Design, Halifax, Nova Scotia
Photography Into Art; Camden Arts Centre, London,
England
Historical Processes, Baltimore Art Museum, Balti-
more, Maryland
1973 Light and Lens; Hudson River Museum, Yonkers,
New York
New Images 1839–1973; Smithsonian Institution,
Washington, D.C.
1975 Woman of Photography; San Francisco Museum of
Modern Art, San Francisco, California
A Pictorial History of the World; Kansas City Art
Institute, Kansas City, Missouri
Se ́lections; Festival du Photographie, Arles, France
Women of Photography; Sidney Janis Gallery, New
York, New York
1976 American Family Portraits: 1730–1976; Philadelphia
Museum of Art, Philadelphia, Pennsylvania
1978 Photography: New Mexico; American Cultural Center,
Paris, France
23 Photographers/23 Directions; Walker Art Gallery,
Liverpool, England
Mirrors and Windows: American Photography Since
1960 ; Museum of Modern Art, New York, New York
1979 Attitudes: Photography in the 1970s; Santa Barbara
Museum of Art, Santa Barbara, California
20 24 Polaroid Color Photographs; Light Gallery,
New York, New York
Art for the Vice-President’s Residence; Washington, D.C.
1980 Five Still-Lifes; Robert Freidus Gallery, New York,
New York
The Magical Eye: Definitions of Photography; Na-
tional Gallery of Canada, Ottawa
1981 Erweiterte Photographie; Fifth International Biennale,
Vienna, Austria
Marked Photographs; Robert Samuel Gallery, New
York, New York
1982 The Alternative Image; Kohler Arts Center, Sheboy-
gan, Wisconsin
1983 Women and Their Models; Catskill Center for Photo-
graphy, Woodstock, New York
1984 Photographic Alternatives; Hong Kong Art Centre,
Pao Sui Loong Galleries, Hong Kong
1985 Expanding the Perimeters of 20th-Century Photography;San
Francisco Museum of Modern Art, San Francisco, California
The American West: Visions and Revisions; Fort
Wayne Museum of Art, Fort Wayne, Indiana
1987 Photography and Art: Interactions Since 1946; Los
Angeles County Museum of Art, Los Angeles, California


1988 Reclaiming Paradise: American Women Photograph
the Land; Tweed Museum, Passages in Time; Los
Angeles Center for Photographic Studies, Los Angeles,
California
Art Networks; Houston FotoFest, Houston, Texas
1989 The Cherished Image: Portraits from 150 Years of
Photography; National Gallery of Canada, Ottawa,
Canada
Fantasies, Fables, and Fabrications; Delaware Art
Museum, Wilmington, Delaware
1990 Artists Who Love Nature: From Barbizon School to
Contemporary Photographers; The Green Museum,
Osaka, Japan
Art of Albuquerque; The Albuquerque Museum, Albu-
querque, New Mexico
The Collector’s Eye; Museum of Fine Arts, Santa Fe,
New Mexico
1991 Photography from New Mexico; MOSFILM Studio Gal-
lery, Moscow, Russia
Patterns of Influence; Center for Creative Photogra-
phy, Tucson, Arizona
Photography from New Mexico; Vision Gallery, San
Francisco, California
1992 The Modernist Still-Life Photographed; and traveled to
Pakistan, India, Jordan, Saudi Arabia, Egypt, Algeria,
Morocco and Greece
1993 Flora Photographica: The Flower in Photography from
1835 to the Present; Vancouver Art Gallery, Vancouver,
British Columbia
New Acquisitions; Denver Art Museum, Denver, Col-
orado
Intentions and Techniques; Lehigh University Art Gal-
lery, Bethlehem, Pennsylvania
1994 Flowers; Witkin Gallery, New York, New York
Paper Chase; Raw Space Gallery, Albuquerque, New
Mexico

Further Reading
Yates, Steve, Dana Asbury, David Haberstitch, and Michele
Penhall.Betty Hahn: Photography or Maybe Not. Albu-
querque: University of New Mexico Press, 1995.
Green, Jonathan. American Photography. New York:
Abrams, 1984.
Bloom, John. ‘‘Interview with Betty Hahn.’’Photo Metro
August 1987: 8–17.
Hoy, Anne.Fabrications. New York: Abbeville, 1987.
Schwable, Conrad, and John Summers. ‘‘Betty Hahn’s
Lithographs.’’Tamarind Papers 3, No. 2. Albuquerque:
Tamarind Institute, 1980.

HAHN, BETTY
Free download pdf