‘‘From Paris—The new Detolle corset with back lacing,
Mainbocher,’’Paris, 1939
Salvador Dali costumes for the Ballet Russe de Monte Carlo
production of Massine’s Bacchanale, executed by Coco
Chanel,Paris, October 15, 1939
Lisa Fonssagrives in Malayan Turban by Lilly Dache ́,New
York, 1939
Mrs. Stanley G. Mortimer (born Barbara Cushing) and Mrs.
Desmond Fitzgerald modeling matador hats,New York,
1940
Lisa Fonssagrives,V.O.G.U.E., 1940
Lisa Fonssagrives,turban, 1940
Evening clothes by Schiaparelli,New York, 1940
Marlene Dietrich in Mainbocher, 1942
Salvador Dali, 1943
Carmen, New York, 1946
Gertrude Stein and Horst, Paris, 1946
Jean Cocteau, Venice, 1947
Jean Marais, Venice, 1947
Birthday Gloves, New York, 1947
The New American Foot, New York, 1948
Maria Callas, New York, 1952
Jacqueline Bouvier and Lee Radziwell,New York, 1958
Cy Twombly, Rome, 1965
W.H. Auden, New York, 1970
Robert Wilson, director-author,New York, 1977
Diana Vreeland,New York, 1979
Paloma Picasso,Paris, 1979
Fashion, Calvin Klein,New York, 1983
Stockings,New York, 1987
Further Reading
Beaton, Cecil, and Gail Buckland.The Magic Image. Lon-
don: 1975 and Boston: 1975.
Booth, Pat. Master Photographers: The World’s Great
Photographers on Their Art and Technique. London:
1983.
Diamonstein, Barbara Lee.Visions and Images: American
Photographers on Photography. New York: 1981.
Duncan, Nancy Hall.The History of Fashion Photography.
New York: 1979.
Horst, Horst P.Horst: Portraits. London: National Portrait
Gallery, 2001.
———.Horst: Interiors. Barbara Plumb, ed. Boston: Little
Brown &Co., 1993.
———.Form. Altadena, CA: Twin Palms, 1992.
———.Horst: Sixty Years of Photography. Text by M.
Kazmaier. T.J. Tardiff and L. Shirmer, eds. New York:
Rizzoli, 1991.
———. Horst: Photographs 1931–1986. Milan/London:
Idea/Art Data, 1985.
———.Return Engagement: Faces to Remember, Then and
Now. With text by James Watters. New York: Clarkson
N. Potter, 1984.
———.Horst His Work and His World. New York: Alfred
A. Knopf, 1984.
———.Horst: Fashion Theory. Carol di Grappa, ed. New
York: 1980.
———.Salute to the Thirties. With George Hoyningnen-
Huene. New York: The Viking Press, 1971 and London,
1971.
———.Vogue’s Book Of Houses, Gardens, People. With
text by Valentine Lawford. New York: The Viking
Press and London, 1963.
———.Patterns from Nature. New York: J.J. Augustin,
1946.
———.Photographs of a Decade. New York: J.J. Augustin,
1944.
Lawford, Valentine.Horst: His Work and His World. New
York: 1984.
Gruber, Fritz L.Beauty: Variations on the Theme Woman
by Masters of the Camera-Past and Present. London:
1965, and New York: 1965.
Gruber, Fritz L.Fame: Famous Portraits of Famous People
by Famous Photographers. London: 1960, and New
York: 1960.
Lawford, Valentine.Horst: His Work and His World. New
York: 1984.
Liberman, Alexander. The Art and Technique of Color
Photography. New York: Simon and Schuster, 1951.EIKOH HOSOE
Japanese
Eikoh Hosoe is among the most important practi-
tioners in the history of modern Japanese photogra-
phy. Born Toshihiro Hosoe in 1933, the son of a
Shinto priest, he was only 12 years old when Hir-
oshima and Nagasaki were bombed by the United
States during World War II, leaving unprecedented
physical and psychological destruction. Hosoe
acquired his first camera at the age of 18 and
began to capture the transformations of a terror-
ravaged Japan; he changed his name to Eikoh to
mark the beginning of a new era. His easy mastery
of English provided opportunities, especially later in
his career.
Hosoe’s early interest was in documentary-style
photography. His photograph ‘‘Poddie-Chan’’
(1951) of a young American child (taken at theHORST, HORST P.