Board_Advisors_etc 3..5

1977 Neue Fotografie aus Japan; Museum of Modern Art;
Graz
Eyes of Japanese Photographers; Helsinki
1979 Japanese Photography: Today and its Origin; Galleria
d’Arte Moderna; Bologna (traveled to Milan, Brussels,
and London)
1981 Astrazione e Realta; Galleria Flaviana, Locarno, Italy
1984 Die japanische Photographie; Hamburg
1985 Black Sun: The Eyes of Four; Museum of Modern Art,
Oxford (traveled to Philadelphia Museum of Art; Phila-
delphia)
2000 World Without End: Photography and the twentieth
century; Art Gallery of New South Wales, Sydney

Selected Works

Poddie-Chan, Grant Heights, Tokyo, 1951
Otoko to onna (Man and Woman)#20, 1960
Otoko to onna (Man and Woman)#24, 1960
Barakei (Ordeal by roses) #5, 1962
Barakei (Ordeal by roses) #32, 1962
Kamaitachi #8 (The weasel’s sickle), 1965
Kimono#4, 1963

Embrace#47, 1970

Simmon: A Private Landscape, 1971

The Cosmos of Gaudi, Sagarada Familia, Barcelona, Spain,

1977

Futher Reading

Holburn, Mark.Eikoh Hosoe. New York: Aperture Mas-

ters of Photography, Aperture Foundation, Inc., 1999.

Holburn, Mark.Beyond Japan. London: Barbican Art Gal-

lery, 1991.

Holburn, Mark.Black Sun: The eyes of four. Roots and

innovation in Japanese photography. Millerton, New

York: Aperture, 1985.

Holburn, Mark. ‘‘Eikoh Hosoe and Yukio Mishima: The

Shadow in the Time Machine.’’Art Forum International

21, no. 6 (1983).

Marable, Darwin. ‘‘Eikoh Hosoe.’’History of Photography

24, no. 1, (2000).

Szarkowski, John, and Shoji Yamagishi.New Japanese

Photography. New York: Museum of Modern Art, 1974.

Thomas Ann, W. ‘‘Eikoh Hosoe: Killed by roses.’’National

Gallery of Canada Journalno. 45, (January, 1984).

Eikoh Hosoe, Untitled, number 17 of the series ‘‘ba.ra.ke.i’’.
[#Rights Reserved, CNAC/MNAM/Dist. Re ́union des Muse ́es Nationaux/Art Resource,
New York]

HOSOE, EIKOH