Chapter 8:Melodies
start with a good grounding in music theory (which is why you’re reading this
book!), and then proceed from there to learn how to create memorable melodies,
interesting chord progressions, and sparkling orchestrations.
If you’re interested in learning more about writing music, check out my com-
panion book, The Complete Idiot’s Guide to Music Composition (Alpha Books, 2005).
Think of the composition book as “volume two” of the book you’re currently
reading; it’s a natural progression from music theory to composition, and one
you should explore if you’re interested.
The Least You Need to Know
◆A melody consists of a logical progression of tones and rhythms.
◆Melodies typically follow a two-, four-, eight-, or sixteen-measure form.
◆Melodies typically conform to a specific scale or mode.
◆The best melodies are often the simplest—in terms of both tune and
rhythm.
◆Longer melodies can typically be divided into two parts, with the end of
the first part creating a tension that is resolved in the second part.
◆You should make sure that your melodies are truly singable—and the only
way to do this is to see if you can sing them!Exercises
Exercise 8-1
Complete the last two measures of this four-measure melody.
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Exercise 8-2
Complete the last two measures of this four-measure melody.