Digital Photographer - UK (2019-08)

(Antfer) #1

Still looking for artistic inspiration?


Maybe these ideas will get your


creative juices flowing


TRY ARTiSTiC


APPROACHeS


Photographs tend to be considered more
artistic when they don’t actually look like
conventional photographs. This certainly
seems to be the case when it comes to
selling prints. Non-photographers are more
likely to splash out when they have no idea
how a photograph was created – because
they wouldn’t be able to take one similar
themselves. Infrared images definitely fall
into that category. They have an eeriness that
immediately adds an artistic feel to every shot
you take.
The best way to shoot infrared is by getting
a camera converted professionally – if
you have an old DSLR gathering dust, it
would be ideal. Advanced Camera Services
(advancedcameraservices.co.uk) are the
best-known in the UK and charge around
£300 for IR conversion. You can also pick up
converted cameras on eBay. The cheaper
alternative is to use an infrared transmitting
filter, such as a Hoya R72, on the lens of a
normal digital camera. You’ll get similar results,

but the exposure times are much longer so a
tripod is required, and you can’t see through
the filter as it’s visually opaque.
Scenes containing foliage are ideal for IR
photography as they really show the effect


  • woodland, cemeteries, old castles and
    derelict cottages covered in undergrowth are
    perfect. You also get the best effect in sunny
    conditions, but overcast or stormy weather
    also work well. When you process your IR
    images, add a duplicate layer, apply Diffuse
    Glow to it from the Photoshop filters gallery,
    then drop the opacity of the layer to 15-20 per
    cent to add a nice glow to the highlights.
    Shooting through filters and screens is a
    great way to add a creative twist to images.
    You can fashion your own diffusion filters from
    pieces of plastic – rub it over with sandpaper


to create a frosted effect, smear a small
amount of petroleum jelly (Vaseline) on the
surface, or spray with hairspray. Breathing on
the lens to create a misty effect also works
well, though you need to shoot quickly as it
clears in seconds.
Experiment with the way you focus your
lens. Forget about front-to-back sharpness.
Shoot at maximum aperture to reduce depth
of field to a minimum so only part of the
subject or scene records in sharp focus. The
longer the focal length of the lens and the
closer your subject is to the camera, the less
depth of field you get.
Alternatively, switch to manual focus then
shoot with the lens intentionally defocused.
The more you do this, the less identifiable your
subject will be, so stick to bold, simple shapes.

Below left
Cobbles and curves
Shooting with your lens at its
widest aperture is a simple but
effective technique

Below top
Electric guitar
Minimising depth of field
instantly adds a artistic feel to an
image, whatever the subject

Below bottom
Soft-focus flowers
A diffusion filter on the camera
lens was used to create this
delicate soft-focus effect

Techniques

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