The Times - UK (2022-04-09)

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6 saturday review Saturday April 9 2022 | the times


become seriously warped during the
pandemic. I think in the before-times
I would have said The Wire or The
Sopranos or Mad Men — the usual
nostalgic choices of a person my age.
Now it may be the second season of
Married at First Sight. Plus, one more
shout out to Buffy.

My favourite piece of music


Who has a single favourite piece of
music? I struggle even to choose a genre.
But judging from the iPod I somehow
still own it’s a three-way struggle
between all of hip-hop, the Great
American Songbook and Tracy Chapman.

The last song that made me cry


Ultralight Beam by Kanye West.

The lyric I wish I’d written


“It’s been a long time coming, but I
know a change gonna come” [from A
Change Is Gonna Come by Sam Cooke].

The song that saved me


Once the song 7 by Prince
“literally”, as the kids say, saved my
life. I was hanging from a windowsill,
if you can believe that, and it gave me
the strength to hold on a little longer
so I could fall safely.

The instrument I played


I played the violin and viola, all the
recorders, the guitar and the piano.
I’ve lost them all, except a bit of
piano.

screen slayer RuPaul’s
Drag Race. Left: Vigil for
a Horseman (detail) by
Lynette Yiadom-Boakye.
Below: Sarah Michelle
Gellar in Buffy the
Vampire Slayer

The book I couldn’t finish


It’s worse than that. Most books written
in the present tense I can’t even begin.

The book I’m ashamed I
haven’t read

If I’m really honest it’s all the good
books by good friends. I really want to
read them but I can’t read anything right
now, not until I finish the book I’m
working on. When you’re writing
something that requires a lot of
historical research you have to be a bit
ruthless, and all the new novels I swore
I’d read are actually lined up on the floor
of the study, waiting for Freedom Day,
which is whenever this novel is done. I’m
ashamed about that. Writing is so often
selfish and self-involved. Top of the list is
the book I promised to read longest ago,
if you see what I mean. That is Imbolo
Mbue’s How Beautiful We Were.

My favourite film


I don’t have good taste in films. Movies
are for me pure pleasure, pure escapism.
I watch “movies” and not “cinema” —
which is for people with better taste. If
I wanted to be very
happy on my sofa it
would be a triple bill of
Now, Voyager, Jackie
Brown and Ferris
Bueller’s Day Off.

The box set that
I’m hooked on

Box sets? I’m streaming
Buffy the Vampire Slayer
with my family, which
will make it, I think, my
fourth time watching all
seven series through
(the first three were
before we had children). In my defence
— and to humblebrag a moment — one
of those times was in Italian. My solo
watch is RuPaul’s Drag Race. I’ve got
nothing intelligent to say about it. I just
adore it.

My favourite TV series


My judgment on these things has

The book I’m reading


It’s always books, plural. Sometimes
I wish it wasn’t. I’m reading Peterloo:
The Story of the Manchester Massacre
by Jacqueline Riding and Hope
Transformed: A Historical Sketch of the
Hope Landscape, St Andrew, Jamaica,
1660-1960 by Veront M Satchell. They
are both excellent. Both, in their own
way, about the obliviousness of a ruling
class to the suffering of an underclass.


The book I wish I had written


I don’t think this concept is a “thing”. It’s
like wishing for a different consciousness,
or a different set of concerns or interests.
I can’t get my head round it. But I often
wish my novels were shorter and
perfectly formed and had no essayistic
element — no overarching argument.
So when I’m feeling that way I think of
Penelope Fitzgerald’s novel The Blue
Flower or Toni Morrison’s The Bluest
Eye. Two novels in which the characters
appear to me to be not so much written
as secreted. The Blue Flower is a
historical novel, the reality of which feels
absolute when you’re reading it. As if all
that Fitzgerald herself consciously
wanted to “say” was, “These people lived
long ago. Their lives were completely
different from ours.” Which sounds
simple but has a very powerful and
humbling effect on the reader. The fact
that she sees the past so clearly helps
you to see your own present in sharper
relief. I’d even say your present comes
to feel strange to you. In The Bluest Eye,
the characters also seem to really “live”,
independent from my judgment of them
and even independent from Morrison’s.
Until you write a novel yourself you
can’t realise how hard that is to do. Now
I think of it, maybe I have a special
affinity for books with blue in the title.
Kafka’s Blue Octavo notebooks mean a
lot to me too.


my culture fix


The novelist lets us into her cultural life


Zadie Smith


BBC/WORLD OF WONDER; LYNETTE YIADOM BOAKYE, COURTESY THE ARTIST, CORVI-MORA, LONDON, AND JACK SHAINMAN GALLERY, NEW YORK

The instrument I wish I’d learnt


Drums. Rhythm is my favourite.

The music that cheers me up


Alright by Kendrick Lamar. Beyond
cheer, joy!

If I could own one painting it
would be...

Another impossible question, only really
answerable by people who hate painting.
Can’t I have two? The Incredulity of Saint
Thomas by Caravaggio, and anything
from the exhibition Under-Song for a
Cipher by Lynette Yiadom-Boakye.

The place I feel happiest


In water. Or dancing. There I go
choosing two again.

My guiltiest cultural pleasure


The Mail Online side-bar. But it’s like a
Big Mac. Seems like a quick way of filling
a hole, but just ends up making you sick.

The film (and concert) that
I’m looking forward to

I really want to see The Worst Person in
the World. And I’m going to see Arlo
Parks in the summer. Summer plus Arlo
Parks! Imagine!

I wasted an evening watching...


Station Eleven. Nothing against the book,
but the show was not for me. If it’s a
choice between the end of the world and
watching Bed-Stuy hipsters in perfectly
curated 1970s swimming costumes and
ski jackets butchering Shakespeare then
I choose apocalypse.
Zadie Smith performs with the BBC
Symphony Orchestra at the Barbican,
London EC2 (barbican.org.uk) on
April 22, in-person and live stream
tickets available now. Highlights will
be broadcast on BBC Radio 4 and
BBC Sounds on April 30, and the full
concert on BBC Radio 3 at a later date

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