The Washington Post - USA (2022-04-10)

(Antfer) #1

C10 EZ RE THE WASHINGTON POST.SUNDAY, APRIL 10 , 2022


obituary


BY TIM PAGE

Joseph Kalichstein, an Israeli-
American pianist who was equal-
ly distinguished as a recitalist, a
soloist with orchestra and a
chamber musician, died March
31 in Manhattan. He was 76.
The Juilliard School, where
Mr. Kalichstein taught for many
years, announced his death. The
cause was pancreatic cancer.
Over a career that spanned
half a century, Mr. Kalichstein
presented thoughtful, impas-
sioned and deeply musical per-
formances of the piano reper-
toire from Bach, Mozart and
Brahms through the masters of
the early 20th century, including
Bartok, Prokofiev and Shostako-
vich.
With his chamber ensemble,
the Kalichstein-Laredo-Robin-
son Trio, he went further still and
played contemporary works by
Ellen Taaffe Zwilich, Richard
Danielpour and Daron Hagen,
among others. Several of these
pieces were written for the
group. Since 1997, Mr. Kalich-
stein had been artistic adviser
for chamber music to the Ken-
nedy Center and artistic director
of the center’s Fortas Chamber
Music Concerts.
During his long history with
the Kennedy Center, Mr. Kalich-
stein appeared with his trio, gave
solo recitals and performed with
the National Symphony Orches-
tra, as well as in many other
concerts. He had also been a
teacher at the Juilliard School
since 1983.
Conductor Leonard Slatkin,
who knew Mr. Kalichstein from
their student days, called him “a
musician’s musician, always
thoughtful and imaginative.”
“All of us who were at Juilliard
with him knew that he would
become an important force in
the music world,” he continued.
“When you coupled those skills
with his incredible humanity
and sense of humor, the very
definition of the word ‘mensch’
leaps to the mind.”
Mr. Kalichstein was part of a
golden time at Juilliard, studying
alongside a remarkable crop of
young students who would go on
to international fame, including
the violinists Itzhak Perlman and
Pinchas Zukerman, pianists
Emanuel Ax and Misha Dichter,
and the conductor James Levine,


as well as Slatkin.
The venerated Chilean pianist
Claudio Arrau had heard Mr.
Kalichstein in Tel Aviv and ar-
ranged for the teenager to study
with Edward Steuermann at Juil-
liard in 1962. “I was ready to take
on the world,” Mr. Kalichstein
recalled in 1989.
In the late 1960s, two things
occurred to bring him to atten-
tion of the listening public and
the highest echelons of the music
world.
I n 1968, conductor Leonard
Bernstein invited Mr. Kalichstein
to perform on the CBS telecast of
his New York Philharmonic
Young People’s Concerts, where
he played the last two move-
ments of Beethoven’s Piano Con-
certo No. 4 under the direction of
Paul Capolongo.
The following year, Mr. Kalich-

stein won the Levintritt Compe-
tition, then the most prestigious
such award in the United States
and so exclusive that if the judges
found nobody worthy of the
prize, they did not give one. The
jury, which included pianist Ru-
dolf Serkin and conductor
George Szell, selected Mr. Kalich-
stein in a unanimous decision.
Reviewing a performance by
Mr. Kalichstein shortly thereaf-
ter in the New York Times, critic
Raymond Ericson called his
reading of Schubert’s ethereal
Sonata in A “profound, not in a
heavy way but in its complete
identification with the spirit of
the music. It seemed second
nature to the pianist to sustain
long passages on a quiet level,
with delicate gradations of tone
to make them constantly inter-
esting.”

Joseph Kalichstein was born
on Jan. 15, 1946, in Tel Aviv, then
part of the British mandate of
Palestine, and began his studies
with a neighbor by the time he
was 4.
“I would crawl to the neigh-
bor’s house, my parents told me,
because they had a piano,” he
recalled in an interview with the
Bergen County Record in 2001. “I
could read music before I could
read letters.”
Yet he never thought of him-
self as a child prodigy. “I was
pretty lazy,” he said. “I didn’t
work at it eight hours a day. I
wasn’t a wunderkind.”
Looking back, he thought this
might have been a good thing.
“Some people have a great talent
at a young age and they get burnt
out,” he told the Record. “It’s a
horrible tragedy, and I escaped

it.”
Although Mr. Kalichstein was
held in high esteem among his
peers, he was remarkably self-ef-
facing, indifferent to publicity,
gave interviews sparingly and
seemed most devoted to collab-
orative performances. “Playing
with different people is about
give-and-take,” he told the Rich-
mond Times-Dispatch in 1989.
“It’s about coming together to
make something bigger than
yourself.”
In that spirit, he joined with
two friends, violinist Jaime Lare-
do and cellist Sharon Robinson,
well-known artists in their own
right, to form a trio in 1976.
“In the bad old days,” he told
the Times-Dispatch, “a chamber
player was considered one who
could no longer play the solo
repertoire. I am trying to shatter
that myth. After all, the super-
stars of the past — [violinist]
Jascha Heifetz, [pianist] Arthur
Rubinstein, [cellist] Gregor Pi-
atigorsky and [pianist] Artur
Schnabel — played chamber mu-
sic. People forget this and try to
put us in boxes.”
The Kalichstein-Laredo-Rob-
inson Trio made its professional
debut at the inauguration of
President Jimmy Carter in 1977.
Although Mr. Kalichstein used to
joke that “it was all downhill
from there,” the group ranked
with the Emerson String Quartet
(founded the same year) among
the most important American
chamber groups of its time and
played throughout the country
and the world.
Mr. Kalichstein believed that
there were many similarities be-
tween playing concertos with
orchestras and chamber music
with small ensembles. “The only
difference is that in playing with
the trio, we know each other
well. We can discuss and grow on
past experiences.”
He considered solo recitals a
different matter: “There, I must
be the gladiator with the beast.”
Survivors include his wife, the
former Rowain Schultz; two
sons, Avi Kalichstein and Rafi
Kalichstein; and three grandchil-
dren.
Mr. Kalichstein gave his final
performance in Phoenix on
March 17, when the Kalichstein-
Laredo-Robinson Trio played
music by Schumann, Zwilich and
Brahms.

JOSEPH KALICHSTEIN, 76


Renowned pianist was a longtime Kennedy Center figure


JOHN MCDONNELL/THE WASHINGTON POST
L eonard Slatkin jokes with pianist Joseph Kalichstein during a performance at the Kennedy Center, where Kalichstein had been artistic
adviser for chamber music since 1997. He was also artistic director of the center’s Fortas Chamber Music Concerts.

“I would crawl to the


neighbor’s house, my


parents told me,


because they had a


piano.”
Joseph Kalichstein, in a 2001
interview with the Bergen County
Record. Kalichstein began to study
music in Tel Aviv at age 4.

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