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Baltimore
Watercolor
Society
Larry Lombardo
Lebanon, Pa.
Hopefully Helping Haiti
(watercolor on paper, 24x20½ )
“When I was 45, I joined
a group from our church
going to Haiti. One day
while there, I noticed a
girl staring at us from
a distance. I took my
camera out to capture
her face; I never wanted
to forget it.
“The idea and con-
cept for this painting
took a month. I wanted
to show the typical
Haitian home, and the
paint running at the bot-
tom is symbolic of the
distress and physical
state of the country. The
only true whites in the
piece are in the subject.
I wanted her to look
three-dimensional.
“I was able to go back
to Haiti this past sum-
mer and even found my
subject, Clairment. She
brought her twin sister,
and I was so excited to
see them happy and
healthy. The back-
ground subjects are
others I met who left an
impression on me. My
wife and I continue to
build these relationships
to this day.”
JUROR TIP: “The most
important piece of advice
for artists entering com-
petitions is to create a
strong composition that
can be spotted from
across the room. I even
teach the rule that
‘composition is king,’
although, I must admit,
emotional content is the
‘queen of hearts,’ and she
still rules the palace.”
— KATHLEEN CONOVER
Canadian
Society of
Painters in
Watercolor
David McEown
Vancouver, B.C.
Surfacing
(watercolor on paper,
30x22)
Colorado
Watercolor
Society
Nancy Priest
Denver, Colo.
White Quartz Canyon
(acrylic on paper, 30x22)