Philosophy in Dialogue : Plato's Many Devices

(Barré) #1
INDEX

laughter, 94–95, 175, 185–86
Laws (dialogue), 64, 72n28, 74n39
limited and unlimited, the (peras/
apeiron)
and classifi cation, 163, 167
and the Good, 164
and images, 219–21, 225–26, 230,
232, 233
in Parmenides, 157
in Philebus, xxvii, 155, 160, 170n23,
172n3 9
and philosophy, 217–18
literature in medical model, 61
logos, orphaned, 135, 144, 145, 149n21
logos (d iscour se)
defi nitions, 69n6
and drama, xii
as genre, xxii
haters of. See misology (hatred of
arguments)
and images, 199, 200–203, 205, 207
medical model, 43–44, 62
as method, xxvii, 112
and opposed accounts, 16, 27–28,
31, 33
in Parmenides, 158, 167
in Philebus, 152, 162–63, 166
and self-examination, 84
in Sophist, 121–22
as transformational, xxxiin27
as tyrant, 142
lover-beloved relationship, 92–93,
105n14, 109n48
lyre, image of, 204, 218
Lysis (d ia log ue)
aporia in, xviii
emotion expressed in, 94, 96,
100 –102, 109n48
erotic dimensions, 92–93
narrative style, 84–86, 88, 93, 109n48
Socrates as character, 96, 98


madness, erotic, 180
maieutics (midwifery)
as art, 150n26
and knowledge, 138–43, 145
Socratic method as, xxvii, 131–38,
14 6n2 , 147n10, 14 8n16
mathematics. See geometry
(mathematics)


medical model
implications of, 45–48
in Platonic dialogue, 61–68
in Republic, 45, 48–68
in Theaetetus, xxv–xxvi
Meletus, xxxin16
Menexenus (dialogue), xiv, 96, 192n33
Meno and his slave, 231–32
Meno (dialogue), 16, 38n32, 119–20,
149n25
metaphilosophical inquiry, 175–76
metaphors and “open” method, 193
method (methodos)
dialectic as, 153, 208
dialogue as, 193–211
in Protagoras, 194 –96
in Republic, 12, 183–88
in Symposium, xxvii, 176–83
use of term, xix–xxi, 111–12
middle path/way, 154, 157–58, 160, 164,
220
midwifery vs. maieutics, 136–37. See also
maieutics (midwifery)
mime ̄sis. See imitation (mime ̄si s)
Minos, 21, 200
Minotaur, 194, 200
misology (hatred of arguments), 55, 61,
63, 205, 218
mixture (summisis)
in Philebus, 154, 164 – 65, 167– 68
in Sophist, 22 4–25
models of behavior (paradiegmata)
imitation of, 103, 109n40, 227–28
Socrates as, xxvi, 82, 96 –100, 145
music (mousike ̄)
censorship of, 73n35
and eros, 192n36
in Republic, 186 – 87
in training the soul, 57–59, 59–60,
75n45, 75n48
myths, use of by Socrates, 113–26

narrated dialogues, xii, 82, 84–92. See
also Charmides (dialogue); Euthyde-
mus (dialogue); Lysis (dialogue);
Protagoras (dialogue); Republic (d ia-
logue); Symposium (d ia log ue)
narrative frame, xii, 82–84, 86, 91,
107n23, 108n35
narrative markers, 83, 105n10, 105n11
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