Speculative Taxidermy

2701. RECONFIGURING ANIMAL SKINS

67. Morris 2010:8–33; J. Easton 2012, The Art of Taxidermy (London: Pavilion); Turner 2013;
    Marbury 2014.


68. G. B. Vai and W. G. E. Caldwell 2006, The Origins of Geology in Italy (Boulder: Geo-
    logical Society of America), 43.


69. Ibid.


70. For a detailed biography of the Boboli hippopotamus, see L. E. Thorsen 2006, “The
    Hippopotamus in Florentine Zoological Museum ‘La Specola’: A Discussion of Stuffed
    Animals as Sources of Cultural History,” Museologia Scientifica 21, no. 2: 269–281.


71. P. Findlen 2002, “Inventing Nature,” in P. H. Smith and P. Findlen, eds., Merchants &
    Marvels: Commerce, Science, and Art in Early Modern Europe (London: Routledge), 304.


72. Findlen 2002:301–302.


73. M. P. Ciccarese 1999, “Bibbia, bestie e bestiari: L’interpretazione Cristiana degli animali
    dalle origini al Medioevo,” in G. Schianchi, ed., Il Bestiario di Parma: Iconografia, Ico-
    nologia, Fonti Letterarie (Milan: Vita e Pensiero), 400.


74. Ibid., 385.


75. Fr. G. R. A. Aquaro 2004, Death by Envy: The Evil Eye and Envy in the Christian Tradi-
    tion (Bloomington: IUniverse), 98.


76. U. Cordier 1986, Guida ai Draghi e Mostri in Italia (Milan: Sugar), 34.


77. A. Bena 2010, Racconto della Nascita di Ponte Nossa (TipoLito: Valeriana); M. Foucault
    1975b, Discipline and Punish: The Birth of the Prison, trans. A. Sheridan (London:
    Penguin, 1991), 32–62.


78. Foucault 1975b:27.


79. D. J. Haraway 2004, “The Promises of Monsters: A Regenerative Politics for
    Inappropriate/d Others,” in The Haraway Reader (Abingdon: Psychology), 86.


80. B. Snæbjörnsdóttir and M. Wilson 2010, “The Empty Wilderness: Seals and Animal
    Representation,” in K. Benediktsson and K. Lund, eds., Conversations with Landscape:
    Anthropological Studies of Creativity and Perception (Farnham: Ashgate), 211–226.


81. B. Snæbjörnsdóttir 2009, Spaces of Encounter: Art and Revision in Human-Animal
    Relations (Gothenburg: University of Gothenburg), 6.


82. Ibid., 2–3.


83. A. M. Lippit 2000, Electric Animal: Toward a Rhetoric of Wildlife (Minneapolis: Uni-
    versity of Minnesota Press), 34–35.


84. Ibid., 193–194.


85. Foucault 1966:146.
    2. A NATURAL HISTORY PANOPTICON

M. Foucault 1975b, Discipline and Punish: The Birth of the Prison, trans. A. Sheridan (London:
Penguin, 1991), 200; R. Broglio 2011, Surface Encounters: Thinking with Animals and Art
(Minneapolis: University of Minnesota Press), xvi–xvii.

1. M. Fairnington 2008, “The Specimen,” Antennae: The Journal of Nature in Visual Cul-
   ture, no. 6 (Summer): 61.