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- M. Foucault 1973, “The Force of Flight,” in J. W. Crampton and S. Elden, Space, Knowl-
edge and Power: Foucault and Geography, (Aldershot: Ashgate, 2007), pp. 169–173. - M. Foucault 1975a, “Photogenic Painting,” in G. Deleuze and M. Foucault, Gerard Fro-
manger: La Peinture Photogénique (London: Black Dog, 1999), 93. - Bishop 2009.
- Malt 2004:142.
- Ibid., 143.
- Bishop 2009.
- S. Gablik 1991, The Reenchantment of Art (New York: Thames and Hudson).
- Ibid., 7.
- Ibid., 11.
- Ibid., 12.
- G. Rose and D. P. Tolia-Kelly, eds. 2012, Visuality/Materiality: Images, Objects and
Practices (Farnham: Ashgate). - S. Reynolds 2011, Retromania: Pop Culture’s Addiction to Its Own Past (London: Faber
and Faber). - Ibid., 1–12.
- P. Frosh 2012, “Indifferent Looks: Visual Inattention and the Composition of Strang-
ers,” in Rose and Tolia-Kelly 2012:171–191. - Ibid., 175.
- R. Broglio 2011, Surface Encounters: Thinking with Animals and Art (Minneapolis: Uni-
versity of Minnesota Press), 73. - R. Broglio 2008, “Living Flesh: Animal-Human Surfaces,” Journal of Visual Culture 7,
no. 1: 103–121.
CODA
D. Morgan 2009, “Enchantment, Disenchantment, Re-Enchantment,” in J. Elkins and D. Mor-
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cal Ecology of Things (Durham: Duke University Press), 54.
- J. Bennett 2001, The Enchantment of Modern Life: Attachments, Crossings, and Ethics
(Princeton: Princeton University Press). - S. Gablik 1991, The Reenchantment of Art (New York: Thames and Hudson), 11.
- D. Preziosi and C. Fargo 2011, Art Is Not What You Think It Is (Blackwell: Chichester).
- K. Pomian 2004, Dalle Sacre Reliquie All’Arte Moderna (Milan: Il Saggiatore), 9–19.
- C. Abivardi 2001, Iranian Entomology: An Introduction, 2 vols. (Berlin: Springer), 458.
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Molecular Biology and Evolution 29, no. 9: 2101–2104. - A. M. Lippit 2000, Electric Animal: Toward a Rhetoric of Wildlife (Minneapolis: Uni-
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