294BIBLIOGRAPHY
Alpers, S. 1983. “Interpretation without Representation, or the Viewing of Las Meninas.”
Representations 1, no. 1 (February): 31–42.
Andrews, M. 1999. Landscape and Western Art. Oxford: Oxford University Press.
Anonymous. 1968. “Objets Surrealistes.” 1931. In A. Breton, ed., Le Surrealisme au Service de
la Revolution, 16–20. Paris: Ayer.
Appadurai, A., ed. 1988. The Social Life of Things: Commodities in Cultural Perspective. Cam-
bridge: Cambridge University Press.
Aquaro, G. R. A. 2004. Death by Envy: The Evil Eye and Envy in the Christian Tradition.
Bloomington: IUniverse.
Aristotle. n.d. History of Animals. Vol. 10. Edited by G. P. Goold. Cambridge: Harvard Uni-
versity Press, Loeb Classical Library, 1965.
Aristotle. n.d. “The Nature of Poetic Imitation: From the Poetics.” In G. Dickie, R. Sclafani,
and R. Roblin, eds., Aesthetics: A Critical Anthology. New York: St. Martin’s Press, 1989.
Aristotle. n.d. “Poetics.” In D. H. Richter, ed., The Critical Tradition: Classic Texts and Con-
temporary Trends. New York: St. Martin’s Press, 1989.
Armstrong, N. 2010. “Realism Before and After Photography.” In M. Beaumont, ed., A Con-
cise Companion to Realism, 102–120. London: Wiley-Blackwell.
Ashworth, W. B. 1996. “Emblematic Natural History in the Renaissance.” In J. Jardine, A.
Secord, and E. C. Spary, eds., Cultures of Natural History, 17–37. Cambridge: Cambridge
University Press.
Ashworth, W. B. 2003. “The Revolution in Natural History.” In M. Hellyer, ed., The Scientific
Revolution, 130–156. London: Blackwell.
Asma, S. T. 2001. Stuffed Animals and Pickled Heads: The Culture and Evolution of Natural
History Museums. Oxford: Oxford University Press.
Assouline, P. 2008. Deyrolle—Pour L’Avenir. Paris: Editions Gallimard.
Augustine. 1992. Confessions. Oxford: Oxford University Press.
Avery, C. 2002. “Forms in Space, c.1700–1770.” In M. Kemp, ed., The Oxford History of West-
ern Art, 280–281. Oxford: Oxford University Press.
Bach, R. 1970. Jonathan Livingston Seagull. New York: MacMillan.
Bacon, F. 1620. The New Organon. Cambridge: Cambridge University Press, 2000.
Bagley, C. 2009. “Deyrolle: Up from the Ashes.” W Magazine, October 9. http: //www .wmaga
z i n e. c o m / f a s h i o n / 2 0 0 9 / 1 0 / 1 0 0 0 c - d e y r o l l e /.
Baker, S. 1993. Picturing the Beast: Animals, Identity, and Representation. Urbana: University
of Illinois Press.
Baker, S. 2000. The Postmodern Animal. London: Reaktion.
Baker, S. 2001. “Where the Wild Things Are: An Interview with Steve Baker.” Cabinet, no. 4
( F a l l ). h t t p : / / w w w. c a b i n e t m a g a z i n e. o r g / i s s u e s / 4 / s t e v e b a k e r. p h p.
Baker, S. 2008. “Something’s Gone Wrong Again.” Antennae: The Journal of Nature in Visual
Culture, no. 7 (Autumn): 4–9. http: //www .antennae .org .uk /back -issues -2008 /4583459061.
Baker, S. 2013. Artist | Animal. Minneapolis: University of Minnesota Press.
Balbus, I. 1988. “Disciplining Women.” In J. Arac, ed., After Foucault: Humanistic Knowledge,
Postmodern Challenges. New Brunswick: Rutgers University Press.
Bann, S. 2013. Ways Around Modernism. London: Routledge.