300BIBLIOGRAPHYFoucault, M. 1976a. The History of Sexuality 1: The Will to Knowledge. London: Penguin, 1998.
Foucault, M. 1976b. ‘ “Questions of Geography.” In C. Gordon, ed., Power/Knowledge: Selected
Interviews and Other Writings, 1972–1977, 63–78. Brighton: Harvester, 1980.
Foucault, M. 1977. Power/Knowledge: Selected Interviews and Other Writings, 1972–1977, ed.
C. Gordon. New York: Pantheon.
Foucault, M. 1980. “Two Lectures.” In C. Gordon, ed., Power/Knowledge: Selected Interviews
and Other Writings, 1972–1977, 78–108. Brighton: Harvester.
Foucault, M. 1981. “The Order of Discourse.” In R. Young, ed., Untying the Text: A Post-Structuralist
Reader, 48–78. London: Routledge, 2006.
Foucault, M. 1982a. “Technologies of the Self.” In P. Rainbow, ed., Ethics: Subjectivity and
Tr u t h—Essential Works of Foucault 1954–1984, vol. 1, 223–252. New York: New Press, 1994.
Foucault, M. 1982b. “The Subject and Power.” Critical Inquiry 8, no. 4 (Summer): 777–795.
Foucault, M. 1982c. “Thought, Emotion.” In D. Michals, Duane Michals: Photographie de 1958
à 1982, iii–vii. Paris: Musée d’Art Moderne de la Ville de Paris.
Foucault, M. 1983. This Is Not a Pipe. Berkeley: University of California Press.
Foucault, M. 1984a. “Of Other Spaces.” Diacritics (Spring 1986): 22–27.
Foucault, M. 1984b. “What Is Enlightenment?” In P. Rainbow, ed., The Foucault Reader,
32–50. New York: Pantheon.
Foucault, M. 1989. Foucault Live (Interviews 1966–84). New York: Semitoext(e).
Foucault, M., and N. Bourriaud. 1971/2009. Manet and the Object of Painting. London: Tate, 2011.
Fox, D. 2008. “Constructed Reality: The Diorama as Art.” Antennae: The Journal of Nature in
Visual Culture, no. 6 (Summer): 13–20.
Fraser, N. 1989. Unruly Practices: Power, Discourse and Gender in Contemporary Social The-
ory. Minneapolis: University of Minnesota Press.
Freeman, C., and Leane, E. 2011. “Introduction.” In C. Freeman, E. Leane, and L. J. Freeman.
Italian Sculpture of the Renaissance, 1–20. Whitefish: Kessinger, 1901.
Fried, M. 1967. “Art and Objecthood.” In Art and Objecthood: Essays and Reviews, 148–172.
Chicago: University of Chicago Press, 1998.
Frosh, P. 2012. “Indifferent Looks: Visual Inattention and the Composition of Strangers.” In
G. Rose and D. P. Tolia-Kelly, eds., Visuality/Materiality: Images, Objects and Practices,
171–191. Farnham: Ashgate.
Frost, C. 1981. Victorian Taxidermy: Its History and Finest Exponents. Long Melford: Privately
published by the author.
Fuchs, L. 1547. De Historia Stirpium Commentarii Insignes. Leipzig: Kurt Wolff Verlag.
Fudge, E. 2008. Pets. Durham: Acumen.
Fudge, E. 2012. “Renaissance Animal Things.” New Formations, no. 76 (Autumn): 86–100.
Gablik, S. 1991. The Reenchantment of Art. New York: Thames and Hudson.
Gates, B. T. 2007. “Introduction: Why Victorian Natural History?” Victorian Literature and
Culture 35, no. 2: 539–549.
Gensini, S., and M. Fusco. 2010. Animal Loquens: Linguaggio e Conoscenza Negli Animali Non
Umani da Aristotele a Chomsky. Roma: Carocci.
Getsy, D. 2014. “Acts of Stillness: Statues, Performativity, and Passive Resistance.” Criticism
56, no. 1 (Winter): 1–20.