BIBLIOGRAPHY303Jason, H. W. 1985. Nineteenth-Century Sculpture. New York: Abrams.
Jay, M. 1986. “In the Empire of the Gaze: Foucault and the Denigration of Vision in Twentieth-
Century French Thought.” In D. Hoy, ed., Foucault: A Critical Reader, 175–204. London:
Wiley-Blackwell.
Johnson, L. 2012. Power, Knowledge, Animals. Basingstoke: Palgrave Macmillan.
Jones, A. 1994. Postmodernism and the En-gendering of Marcel Duchamp. Cambridge:
Cambridge University Press.
Jovanovsky, T. 2008. Aesthetics Transformation: Taking Nietzsche At His Word. New York:
Peter Lang.
Jury, L. 2014. “Stuff It! Taxidermy Is the Latest Craze.” The Evening Standard, January 7, 3.
Kac, E. 2005. Telepresence and Bio Art: Networking Humans, Rabbits and Robots. Ann Arbor:
University of Michigan Press.
Kamcke, C., and R. Hutterer. 2015. Natural History Dioramas. Berlin: Springer.
Kant, I. 1914. Critique of Judgement. New York: Cosimo, 2007.
Kavanagh, G. 1989. “Objects as Evidence, or Not?” In S. Pearce, ed., Museum Studies in Mate-
rial Culture, 125–138. Leicester: Leicester University Press.
Kean, H. 1998. Animal Rights: Political and Social Change in Britain since 1800. London:
Reaktion.
Kemp, M. 2000. The Oxford History of Western Art. Oxford: Oxford University Press.
Kendall, R., ed. 1994. Degas by Himself: Drawings, Prints, Paintings, Writings. New York:
Chartwell.
Kendall, R. 1998. Degas and the Little Dancer. New Haven: Yale University Press.
Kennedy, J. M. 1968. “Philanthropy and Science in New York City: The American Museum of
Natural History, 1868–1968.” PhD diss., Yale University.
Keulartz, J. J. 1998. The Struggle for Nature. London: Routledge.
Kimbell, L. 2013. “The Object Strikes Back: An Interview with Graham Harman.” Design and
Culture 5, no. 1: 8.
Klingender, F. 1971. Animals in Art and Thought to the End of the Middle Ages. Cambridge:
MIT Press.
Knorovsky, K. 2008. “Behind the Lens: Paris’ Deyrolle Taxidermy Shop.” National Geographic
Online, February 21. http: //intelligenttravel .nationalgeographic .com /2008 /02 /21 /behind
_ the_lens_paris_deyrolle /.
Kosuth, J. 1991. Art After Philosophy and After: Collected Writings, 1996–1990. Cambridge: MIT
Press.
Krauss, R. 1977. “Notes on the Index: Seventies Art in America.” October 3 (Spring): 68–81.
Krauss, R. 1997. “Perpetual Inventory.” In W. Hopps and S. Davidson, Robert Rauschenberg:
A Retrospective [exhibit catalog]. New York: Guggenheim Museum.
Krysa, J. 2006. Curating Immateriality: The Work of the Curator in the Age of Network System.
New York: Autonomedia.
Kundera, M. 1984. The Unbearable Lightness of Being. New York: Harper and Row.
Kusukawa, S. 2010. “The Sources of Gessner’s Pictures for the Historia Animalium.” Annals
of Science 76, no. 3: 303–328.
Latour, B. 1991. We Have Never Been Modern. Cambridge: Harvard University Press.