Speculative Taxidermy

312INDEX

cabinet of curiosities, 13, 32, 58, 96–97; in
contemporary art, 72–77, 96–100,
103–105, 111, 148–149, 192, 202; and
panopticism, 92–95
camera hunting, 33, 142–144. See also Kodak
Canova, Antonio, 124–126, 130
Cavalieri, Paola, 40
Cezanne, Paul, 34, 165–169, 201
Cibo, Gherardo, 91
classical art, 2, 4, 7–9, 40, 85, 121–126,
129–134, 142, 148–149, 153, 163, 184, 186,
229; and dioramas, 107–108; and
painting, 173–174. See also decorum
collecting, 18, 58, 78, 97, 102, 112, 129, 229,
253
commodity fetishism, 34, 56, 179–180
Courbet, Gustave, 4, 6
cow, 37, 209–215, 227, 249–254
Cranshaw, Roger, 184–185
crocodile, 52, 59–63
cubism, 166, 169; and materialism, 175–177
cultural afterlife, 54–56, 60–63, 73

Dada, 16, 35–36, 183, 223
Daguerre, Louis, 115–116
daguerreotype, 10, 115–116
Danto, Arthur, 185
dark ecology, 27–28, 250
Davie, Oliver, 43, 45, 103
da Vinci, Leonardo, 123, 150
de Bruyckere, Berlinde, 35, 214–219, 235
decorum, 2, 7, 32–33, 103–108, 132–134, 165;
and classical art, 123–128
de Duve, Thierry, 176, 224
Degas, Edgar, 1–11
Deleuze and Guattari, 40, 138, 196; and
becoming animal, 109; and Oedipus,
205–206
Derrida, Jacques, 40, 96, 196; and dissection,
202
Descartes, René, 29; and machines, 96–97.
See also automaton
Deyrolle, 13–19

Dion, Mark, 21, 32–33, 37, 72, 98; and

Landfill, 103–109; and Theatrum Mundi,

100–102

diorama, 20, 32–33, 44, 156; and Donna

Haraway, 118–120, 128–129; history of,

112–118; and institutional critique,

129–135; and Mark Dion, 103–112; and

Oleg Kulik, 131–135

Discipline and Punish (Foucault), 71, 92, 232

discursive formations, 26, 48, 53, 60, 62, 80

dispositif, 36, 220, 225–227, 227–240, 230–235

dOCUMENTA, 29, 137

domestication, 6, 35–36, 206, 213–214, 218,

225–236, 246, 254

Duchamp, Marcel, 4, 173; and cubism,

175–177; and ready-mades, 35, 178, 184,

188–189, 192, 222, 224, 234; and

surrealism, 179

Dufresne, Louis, 49–52

Eco, Umberto, 129

Egyptian mummies, 45–46

Elkins, James, 174, 185, 242

Emberly, Julia, 237

eugenics, 20, 121, 128

event (Foucauldian concept), 34, 149–156,

215, 239

Fairnington, Mark, 32, 72–79, 85, 88, 98, 109

flat ontology, 35, 163, 194, 199, 224

Foster, Hal, 190, 222

Foucault, Michel, 12, 39–42, 48, 55, 62, 71;

and affirmation, 147; and anatomo-

politics, 36, 230–232; and animals, 128;

and archaeology, 57; and art, 27, 34, 39;

and epistemic spatializations, 92; and

the event, 239; and finitude, 34, 141–142,

167; and genealogy, 56–57, 225; and

heterotopias, 226–227; and Magritte, 147,

152, 157; and natural history, 77–79, 86;

and painting, 142; and panopticism, 32,

71; and photography, 116; and power,

219–220, 230–231; and quattrocento