Cell Language Theory, The: Connecting Mind And Matter

Cell Language 215

“6x9” b2861 The Cell Language Theory: Connecting Mind and Matter

notes with the frequency difference of only 1.67 Hz and those labeled D1#

and E1 are caused by piano notes with the frequency difference of 2.31

Hz. CymaGlyphs are not only sensitive to frequencies but also to ampli-

tudes at a given frequency [510].

Another surprising finding is that some of the CymaGlyphs resemble

natural forms. Figure 4.15 shows four such examples, i.e., CymaGlyphs

(in the right column) resembling the morphology of organisms (in the left

column): (i) starfish, (ii) trilobite, and (iii) Diatom Arachnoidiscus. The

“isomorphism” demonstrated in Figure 4.15 between the CymaGlyphs

and biological forms strongly suggests to me (in agreement with Reid

[498]) that the first self-replicating material systems may have arisen from

water droplets containing appropriate solute particles under the influence

of some unique steady-state environmental sounds.

These observations may suggest that waves of all kinds, including

electromagnetic, mechanical, chemical concentration, gravitational, and

probability waves, are the language (i.e., cosmese) mediating communica-

tion throughout the Universe and hence the McLuhan equation,

Statement (4.28), applies, leading to the allowing inferences:

Waves = the medium of cosmic communication (4.31)

CymaGlyphs = the cosmic messages whose meaning may include

“BEAUTY” as suggested by Masaru Emoto [497]. (4.32)

4.12 Cymatics and Chladni Patterns (or Figures)

The term cymatics coined by Hans Jenny in the late 1960s [485] is defined

as the study of waves, i.e., “cyma” in Greek, but the study of waves goes

back to much earlier periods as reviewed in [528]. The increased interest

in cymatics in recent years [486, 487] is probably in no small part stimu-

lated by the invention of CymaScope in 2002 [493] that could visualize

sound waves using water as the sensitive sound sensor. (See the top panel

of Figure 4.14). Prior to the invention of CymaScope, a less sensitive

wave-generating device known as the Chladni plates [511, 528] was used

to visualize vibrations (Figure 4.13). The various vibrational patterns

shown in Figure 4.13 were generated by drawing a bow over a piece of

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