COnclusion
Tomethisexplorationofrecord
cleaningoptionshasbeenbothrevelatory
anddepressing.Thelatterbecauseit has
forcedmetoacceptthatmuchofthenoise
onmyLPcollectionshallremainthereforev-
ermore,orperhapsgetworseovertime.
Butit hasbeena revelationthatif a record
trulyis dirty,it canbecleaned.Andit canbe
cleanedinwaysasdifferentasthatofferedby
theSpin-CleanortheVRCS.
Andallfourofthesesystemsworked.
Butdoesoneworkbetterthananoth-
er?I followedupontheSpin-Clean-ingof
severalrecordsbysubjectingthemtoVRCS
treatment.Theimprovement?Minimalto
nothing.I followedtheVRCScleaningofan
albumwitha decentgoontherecordclean-
ingmachine.Thedifference?NothingI could
see.Eachofthesystemsseemedtobecapable
ofdoingthejobonitsown.
Allthatsaid,if you’vetenderlycaredfor
yourrecordsovertheyears,practicingeffec-
tivevinylhygiene,thennoneofthemmay
doanythingforyou.If youareuncertain,
giveit a try.Somerecordshopsoffercleaning
services.Payfora coupleofyourrecordsto
becleaned,andseeif it makesa difference.
Orsenda fewLPstotheVCRSpeople(check
thewebsitefordetails)forcleaning.It costsa
fewbuckseach,butyoucanseewhetheryou
findit worthwhile.
Finally,if youdostartcleaningyour
records,investinnewinnersleevestohold
them.It makessensetokeepyournewly
cleanedrecordsclean. StephenDawson
Thiswasa monodiscandseemstohave
been released some sixty years ago. Again,
most of the clicks and pops were eliminated,
revealing a glorious performance (Graph 16).
Another little treasure I found in a charity
shop, and which the Kirmuss cleaner recov-
eredforme,wasana cappellaarrangementof
Nicolas Saboly’s ‘Douze Noels Provencaux’.
Again, the noise was mostly removed,as
was one giant spot of something-or-other.
I helped get rid of that when applyingthe
surfactant between blasts of sonic power.
Onceit wasgone,whathadmadethestylus
jumpbackcontinuallyleftnohintofsound.
KirmussAudioKA-RC-1Ultrasonic
RecordCleaner
$1,999
TelosAudioDistributors
RECORD CLEANERS
Australian Hi-Fi 67
Graph 13. Crosby, Stills & Nash prior to cleaning.
®ŭƯŢēǠŗěðƧLJLJLJ̻ðdžļƯċ̻ČŭŠ̻ðỨI ̆ ̊®'
Graph 15.ěěƧļŭdžěŢ͕ÙŁŭŗŁŢ ŭŢČěƓƧŭŁŢ'͕ƐƓŁŭƓƧŭČŗěðŢŁŢĴ̻
®ŭƯŢēǠŗěðƧLJLJLJ̻ðdžļƯċ̻ČŭŠ̻ðỨI ̆ ̃®'
Graph 17.®ðċŭŗǍ͕'ŭƯǗěuŭěŗƛ£ƓŭdžěŢČðƯnj͕ƐƓŁŭƓƧŭČŗěðŢŁŢĴ̻
®ŭƯŢēǠŗěðƧLJLJLJ̻ðdžļƯċ̻ČŭŠ̻ðỨI ̆˞®'
Graph 14. ƓŭƛċǍ̶®ƧŁŗŗƛϽuðƛļðijƧěƓČŗěðŢŁŢĴLJŁƧļgŁƓŠƯƛƛƯēŁŭg͘¦ ͘ ̻̆
®ŭƯŢēǠŗěðƧLJLJLJ̻ðdžļƯċ̻ČŭŠ̻ðỨI ̆ ̨®'
Graph 16.ěěƧļŭdžěŢ͕ÙŁŭŗŁŢ ŭŢČěƓƧŭŁŢ'͕ðijƧěƓČŗěðŢŁŢĴLJŁƧļgŁƓŠƯƛƛƯēŁŭ
g͘¦ ͘ ̻̆®ŭƯŢēǠŗěðƧLJLJLJ̻ðdžļƯċ̻ČŭŠ̻ðỨI ̆ ̋®'
Graph 18. ®ðċŭŗǍ͕'ŭƯǗěuŭěŗƛ£ƓŭdžěŢČðƯnj͕ðijƧěƓČŗěðŢŁŢĴLJŁƧļgŁƓŠƯƛƛƯēŁŭ
g͘¦ ͘ ̻̆®ŭƯŢēǠŗěðƧLJLJLJ̻ðdžļƯċ̻ČŭŠ̻ðỨI ̆˟®'
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