22 January/February 2018
CLASSICAL CORNER
de Rossi at the end of the 19th century,
and portions of the catacombs were used
as an air-raid shelter by local people dur-
ing World War II. The convent’s founda-
tions likely hindered exploration of the
area directly underneath it, and it would
take a broken water line 18 centuries
later for the mass burial that pre-dates
the catacombs themselves to be discov-
ered in their midst.
The answer to the mystery of how
and why these burials came to be here
is likely found in the history of the
property itself. Prior to the Constantin-
ian age, this area was the location of the
barracks of the equites singulares Augusti,
a private corps of mounted Imperial
bodyguards. The skeletal remains do not
display any of the obvious bone trauma
consistent with a massacre. The most
likely explanation for such a large num-
ber of simultaneous fatalities is an epi-
demic sweeping through the city at the
end of the second/ beginning of the third
century.^2 Given the close quarters of the
soldiers and their families, such an event
would have been particularly devastating
in the barracks.
Christians were given the use of the
ground underneath the equites’ garrison
around the mid-third century by the
emperor Gallieneus, a conciliatory ges-
ture from the emperor in order to pla-
cate a community that had been savagely
persecuted under the reign of his father,
Emperor Valerian. When the Christians
began to construct the catacombs, the
chambers containing the earlier burials
were simply incorporated into the grow-
ing complex. Several decades later, fol-
lowing the end of the civil war between
Constantine and Maxentius, the equites
singulares Augusti were disbanded by
an irate Emperor Constantine follow-
ing his victory over Maxentius at the
Battle of the Milvian Bridge in 312 C.E.;
the unfortunate equites had backed the
wrong emperor. The property was then
given by Constantine to his mother,
Helena. It is here that she constructed
her own final resting place. To access
the catacombs today, one walks by the
ruins of what was once her magnificent
mausoleum.
Today, the savvy visitor to Rome can
access this extraordinary site. A sinkhole
in the basement of a convent opened a
subterranean door to an archaeological
mystery, the investigation of which led to
a concerted effort by the Pontifical Com-
mission to undertake extensive exca-
vations and repairs of the catacombs.
After several years of painstaking and
beautifully executed restoration work,
the catacombs of Saints Peter and Mar-
cellinus boast some of the most skillfully
rendered and restored frescoes of any
of the city’s subterranean burial sites.
Particularly noteworthy are its many fine
depictions of the concept of refrigerium,
a custom borrowed by the Christians
from the Greek and Roman tradition of
holding funerary banquets in honor of
the deceased. In the Christian ethos of
this era, this custom came to be closely
tied to the sacrament of the Eucharist,
and banqueting scenes from the context
of the Roman catacombs are among the
earliest known images in the canon of
Christian art. What began as a plumbing
headache for the dismayed sisters of the
Istituto Sacra Famiglia turned out to be a
serendipitous catalyst for the opening of
one of Rome’s most enigmatic sites.^3
Sarah K. Yeomans is the
Director of Educational
Programs at the Biblical
Archaeology Society. She is
currently pursuing her doc-
torate at the University of
Southern California and specializes in the
Imperial period of the Roman Empire
with a particular emphasis on religions
and ancient science. She is also a faculty
member in the Department of Religious
Studies at West Virginia University.
(^1) Grave goods buried with several of the indi-
viduals indicate that these individuals were
almost certainly not Christians.
(^2) Philippe Blanchard et al., “A Mass Grave
from the Catacomb of Saints Peter and Mar-
cellinus in Rome, Second–Third Century A.D.,”
Antiquity 81 (2007), pp. 989–998.
(^3) The catacombs of Saints Peter and
Marcellinus are open to the public. More
information is available on their website:
http://www.santimarcellinoepietro.it.
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