Above: there is a hint of Baglietto’s
military past in Pachamama’s
strong and aggressive lines.
“She combines the past with new
elements such as the shape of the
superstructure and the black side
windows running from the stern to
the bow,” says Paszkowski. Left: her
captain has a state-of-the-art bridge
and some serious power to play with,
accompanied by family and friends
in the aft seating area
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