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A touch of tribal
I wanted to write to say how much I enjoyed
The call of the tribe cover story in your
July issue. I thought the article was very
interesting explaining how these beautiful
objects have intrigued and inspired the
West. As much as I enjoyed reading the
history of tribal art I was also inspired by
the impressive way Anna Malhomme de la
Roche had incorporated this art in a modern
interior setting so much so that I have
recently purchased my own humble piece
from the Chokwe tribe. It has inspired me
to read more
about the
tribal history
of Africa of
which I knew
so little.
PETER JAMES
EDWARDS
SUFFOLK
Katya de Grunwald
Pandoraâs box
I was given this box as
a present by a friend
a couple of years ago
and I have been trying to
find out more about it to
little avail. At an antiques
fair recently I was told that
it might be from the 1930s.
Hopefully one of your experts
might be able to shed some light
on the matter.
ANNE BUTLER DUBLIN
A friendly
fight
Thank you
for a fantastic
magazine. It is the
best one I have
ever seen and my
wife and I have a
friendly fight when
it arrives to decide
who is going to
read it first. Keep
up the good work
youâre the best!
CHRIS BRITTON
SUFFOLK
EXPERT ADVICE
REBECCA GILBERT
Bristol Auction Rooms
In 1815 John Doulton invested his life savings of £100 in the
Vauxhall Walk pottery of Martha Jones Lambeth. Her foreman
John Watts was also taken into partnership and the rm became
known as Doulton & Watts. It specialised in industrial ware brown
stoneware and drainpipes as well as stoneware bottles for chemicals and beer.
In 1835 Johnâs 15-year-old son Henry Doulton was taken on as an apprentice. By
1846 Henry had set up an independent Lambeth Pottery which had become the leader
in industrial products. Following the retirement of John Watts in 1853 Doulton and
Watts merged with Henryâs company to become Doulton & Co and was noted for its
hand-decorated gurines vases and dinnerware. I would place an auction estimate
on the lidded box of £10â£20.
10 H&A SUMMER 2017