290 R e f e r e nc e s
——. 1978. “Jean Rouch Talks about His Films to John Marshall and John W. Adams.” Ameri-
can Anthropologist 80:1005–1022.
——. 1983. “Les maîtres fous: Protokoll des Films über das Ritual der Hauka.“ In Colon:
Das schwarze Bild vom weissen Mann, edited by Jens Jahn, 217–232. Munich: Rogner &
Bernhard.
Rubin, Martin. 1993. Showstoppers: Busby Berkeley and the Tradition of Spectacle. New York:
Columbia University Press.
Ryan, Pauline. 1976. “Color Symbolism in Hausa Literature.” Journal of Anthropological
Research 32 (4): 141–160.
Sacks, Harvey. 1984. “On Doing ‘Being Ordinary.’” In Structures of Social Action, edited by
John M. Atkinson and John Heritage, 413–429. Cambridge: Cambridge University Press.
Sagna, Najib. 2006a. “Emigration clandestine: Les clandestines de rufisque veulent rallier
les USA.” Wal Fadjri (Dakar), June 22. http://fr.allafrica.com/stories/printable
/200606220585.html.
——. 2006b. “Le Titanic rendu à son proprietaire, le fabricant aurait déjà ecaissé 26 mil-
lions.” Wal Fadjri (Dakar), November 24. http://fr.allafrica.com/stories/printable
/200611270632.html.
Saint, Lily. 2010. “Not Western: Race, Reading, and the South African Photocomic.” Journal of
Southern African Studies 36 (4): 939–958.
——. 2013. “‘You Kiss in Westerns’: Cultural Appropriation in Moustapha Alassane’s Le retour
d’un aventurier.”Journal of African Cinemas 5 (2): 203–217.
Sampson, Anthony. 2005. Drum: The Making of a Magazine. Johannesburg: Jonathan Ball.
Sanders, Todd. 2001. “Save Our Skins: Structural Adjustment, Morality, and the Occult in
Tanzania.” In Magical Interpretations, Material Realities: Modernity, Witchcraft, and the
Occult in Postcolonial Africa, edited by Henrietta L. Moore and Todd Sanders, 160–183.
London: Routledge.
Sandler, Kevin S., and Gaylyn Studlar, eds. 1999. Titanic: Anatomy of a Blockbuster. New
Brunswick, N.J.: Rutgers University Press.
Sanga, Imani. 2011. “Mzungu Kichaa and the Figuring of Identity in Bongo Flava Music in
Tanzania.” International Review of the Aesthetics and Sociology of Music 42 (1): 189–208.
Sanusi, Sa’idu Mohammed. 2008. “Making a Scapegoat of... .” Leadership (Abuja), Octo-
ber 13, 1.
Schimming, Ulrike. 2002. Fotoromane: Analyse eines Massenmediums. Frankfurt: Lang.
Schneider, Arnd. 2003. “On ‘Appropriation’: A Critical Reappraisal of the Concept and Its
Application in Global Art Practices.” Social Anthropology 11 (2): 215–229.
——. 2006. Appropriation as Practice: Art and Identity in Argentina. New York: Palgrave
Macmillan.
Schwartz, Hillel. 2000. The Culture of the Copy: Striking Likeness, Unreasonable Facsimiles. New
York: Zone Books.
Sell, Eric. n.d. Esisallesoreidt: NAM-släng—Deutsch. Windhoek: EES Records Namibia.
Sheme, Ibrahim. 2007a. “Nude Video Causes a Stir.” Bahaushe Mai Ban Haushi (blog), Au-
gust 13. http://ibrahim-sheme.blogspot.com/2007/08/nude-video-causes-stir.html.
——. 2007b. “Film Burning in Kano.” Bahaushe Mai Ban Haushi (blog), September 26.
http://ibrahim-sheme.blogspot.com/2007/09/film-burning-in-kano.html.
——. 2007c. “Censoring Movies and Books in Kano.” Bahaushe Mai Ban Haushi (blog), Sep-
tember 25. http://ibrahim-sheme.blogspot.com/2007/09/censoring-movies-and
-books-in-kano.html.