Time USA-October 3-2016

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Several new TV shows—including CBS’sThe Great Indoors, ABC’sAmerican Housewife and
NBC’sTimeless—are struggling to include authentic minority characters

One Of the mOst striking mO-
ments at this year’s Emmy Awards
came early, when Aziz Ansari and Alan
Yang won the Best Comedy Writing
prize for an episode of their Netflix se-
riesMaster of None. The episode, “Par-
ents,” explored how children relate
to their immigrant moms and dads,
drawing heavily from the real-life ex-
periences of its Indian-American and
Taiwanese-American writers.
Less inspiring was what happened
next. After Yang gave a heartfelt ac-
ceptance speech urging more and bet-
ter representation for Asian Ameri-
cans in Hollywood, Ansari—the star
and creator ofMaster of None—got cut
off by the orchestra. Then Jimmy Kim-
mel, the night’s host, retook the stage.
“Now there’s almost too much diver-
sity in this show,” he declared.
It was meant to be a joke, but it

hit on an uncomfortable truth. Yes,
American TV looks and feels more in-
clusive than ever, thanks to buzzy hits
likeEmpire, which centers on a black
family, andFresh Off the Boat, whose
leads are Asian American. But the
(white) status quo remains very much
in place. On many network shows, mi-
nority actors get less screen time than
their white counterparts. And when
they do speak or act, they often do so
in generic or unbelievable ways, as if
executives were more concerned with
casting a token than creating authen-
tic characters—or empowering writers
of color who could.
“Certain people in the industry be-
lieve things have changed and every-
thing’s fine,” says Victoria Mahoney, a
black director whose credits include
Grey’s Anatomy. “The outliers, we don’t
understand what the party is about.”

‘IT IS PAST TIME FOR AMERICA TO RECOGNIZE THE COLLAPSE OF WORK FOR MEN.’—PAGE 28

ENTERTAINMENT

There’s still


more room—


and need—


for diversity


on TV
By Daniel D’Addario

ABC; NBC; CBS
PHOTO-ILLUSTRATION BY MARTIN GEE FOR TIME

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