Yuva Bharati / March 2018 / 41
The Isopanishad does not supply these two
links between the life of action and the goal
of actionlessness and point out the goal of
actionlessness, may be secured in the midst
of action only through freedom from
attachment to action and the annihilation
of any desire for end of action”. But at any
rate it is evident that the Isopanishad goes
very much beyond the other Upanishads,
when it tries to reconcile the life action with
the life of knowledge. Knowledge leads
to one result and action to the other. But
he alone who can synthesise the claims of
knowledge and action is able by means of
action to cross the ocean of death and by
means of knowledge to attain immortality.
In this way does the Isopanishad reconcile
the claims of action and knowledge telling
us that the life of bare contemplation and
the life of bare activity are alike fraught
with evil; but that he alone may be said to
attain the goal of life who knows how to
harmonise the two different paths. Thus
we may see how the later claims of Aristotle
for the contemplative life and of Bacon for
the active life are prophetically reconciled
by the philosopher of the Isopanishad”.
(R.D.Ranade A constructive Survey page
218 – 219)
In practical yoga exercises the action and
renunciation (phala tyaga) stimulation
and relaxation, exercising right and left
parts of the body by turns are employed
in various asanas and in right nostil – left
nostil breathing. Alternating stimulation
with relaxation, and gradually reducing
the intensity of stimulation, the physical,
pranic and psychic systems are sensitized
in yoga exercises.
In Iconography this Yin-Yang [(right – left)
feminine - masculine)] reconciliation is
expressed in Art forms. The Anantashayana
posture of Vishnu represents Action in
Actionlessness. Apparently doing nothing
Vishnu does everything in reality. Contrast
this with Nataraja who by his intense action,
represents intense stillness and peace.
The artistic exquisiteness of the Dancing
Shiva is commented upon by the Nobel
Laureate Ilya Prigogine.
Says Capra,
‘Prigogine’s theory interlinks the main
characteristics of living forms in a coherent
conceptual and mathematical framework
that implies a radical reconceptualization
of many fundamental ideas associated
with structure – a shift of perception
from stability to instability, from order
to disorder, from equilibrium to non-
equilibrium, from being to becoming. At
the center of Prigogine’s vision lies the
coexistence of structure and change, of
“stillness and motion,” as he eloquently
explains with a reference to ancient
sculpture’:
“Each great period of science has led
to some model of nature. For classical
science it was the clock; for nineteenth-
century science, the period of the Industrial
Revolution, it was an engine running down.
What will be the symbol for us? What we
have in mind may perhaps be expressed
by a reference to sculpture, from Indian
or pre-Columbian art to our time. In
some of the most beautiful manifestations
of sculpture, be it the dancing Shiva or
in the miniature temples of Guerrero,