NEWS STORY
( Clockwise
from left )
Harry Potter
and the
Cursed
Child;
SpongeBob
SquarePants:
The Musical;
Angels in
America
R
Broadway has something for everyone
this season, but what do this
year’s Tony Awards have in mind for
Broadway?BY MARC SNETIKER
Stage
Match
REMEMBER HARRY POTTER? HE’S UP FOR A
Tony against Andrew Garfield. SpongeBob
SquarePants might wrench one from Tony
Shalhoub. Amy Schumer is up against Joan
of Arc, and there’s even some heat between
the Rachel McAdams role inMean Girls and
the Audrey Hepburn part inMy Fair Lady.
This Broadway season, capped off by the
May 1 nominations for the 72nd annual
Tony Awards, is the ultimate manifestation
of a not-so-new rising trend: big merchan-
dise titles likeSpongeBob andFrozen sharing
the same theater-district real estate as
intimate dramas likeAngels in America and
The Band’s Visit (an original tuner, favored
to win Best Musical, starring Shalhoub and
Katrina Lenk). But bulk-budget properties
did something right beyond bringing in
bank at the box office. The nominations
include breakout performances not just in
prestige pieces but also in shows once pejo-
ratively dismissed as “commercial.”
The most heated conversation revolves
around hot ticketHarry Potter and the Cursed
Child and the acclaimed revival ofAngels in
America, which lead the pack of plays with 10
and 11 nods, respectively.Cursed Child’s
Anthony Boyle, who plays beleaguered Scor-
pius Malfoy, is a shoo-in for victory as
Featured Actor; so is costar Noma Dumez-
weni, who plays Hermione Granger—unless
Angels’ Denise Gough cinches the trophy for
her turn as pill-popping Harper Pitt. Harry
Potter himself, Jamie Parker, will square off
against front-runner Andrew Garfield,
whose role as a New Yorker dying from AIDS
is equally as spellbinding as the grown
wizard. But then there’s a possible upset by
The Iceman Cometh’s Denzel Washington,
who could also easily cometh for the prize.
Mean Girls andSpongeBob SquarePants:
The Musicalare the year’s most nominated
musicals (and productions in general) with
12 apiece. While the Tonys acknowledged
both shows’ anchoring performances—
Taylor Louderman as the lead mean girl and
surefire Ethan Slater as the lead sponge—
it’s the writing teams that are generating
major buzz. Tina Fey’sMean script, adapted
from her 2004 film, has a grool chance to
win Best Book.SpongeBob’s songwriting
team faces tough competition from critical-
darling composer David Yazbek (The Band’s
Visit), but there’s power in numbers: With
a roster of 17 eligible artists from Cyndi
Lauper to John Legend, the spongy score
just might be the craziest shared nomina-
tion in Tony history—another reason the
exceptional unpredictability of this year’s
race blows past seasons out of the water.
The one sure thing at the 2018 Tonys are
the show’s hosts—newly minted Broadway
veterans Sara Bareilles and Josh Groban,
who will bring their infectious charm (and
hopefully some music) to the live broadcast
airing June 10 on CBS.X
The Band’s Visit’s
Katrina Lenk;
Mean Girls’
Taylor Louderman
18 EW.COM MAY 11, 2018
HARRY POTTER AND THE CURSED CHILD
: MANUEL HARLAN;
ANGELS IN AMERICA
: BRINKHOFF & MÖGENBURG;
SPONGEBOB SQUAREPANTS: THE MUSICAL
,MEAN GIRLS
: JOAN MARCUS (2);
THE BAND’S VISIT
: MATTHEW MURPHY