kiana
(Kiana)
#1
316 philip l. tite
whom later generations can situate their social identity. Pseudo-Pauline
texts, along with narrative appropriations of Paul, not only demonstrate
that he was a fascinating figure for early Christian imaginations, but
also was a focal point for identity construction, as well as contesting the
identity of others who were competing for normative status in nascent
Christian circles.
With laodiceans, the portrait of Paul as culture hero is perhaps most
clearly articulated at the expense (or subordination) of other agendas,
such as doctrinal controversy. laodiceans demonstrates a lack of inter-
est in describing false teaching or heresy, promoting specific ethical,
ecclesiastical or doctrinal beliefs, or in correcting conflicting historical
understandings of Paul that may have been embarrassing or problematic.
Instead, laodiceans places a strong stress on unity in the community,
especially grounded in a universal concept of the church, a concern that
is set within a letter of moral exhortation (the genre of laodiceans is best
understood as a paraenetic letter). yet even with this primary concern,
as set against the trope of the charlatan, the real emphasis is centred on
Paul as moral exemplar for Christians to follow for the promotion and
preservation of the true gospel. throughout the letter, the stress continu-
ally falls on this point; i.e., Paul’s positive relations with his community
as he serves as moral example with soteriological benefits for those who
recognize him as such. thus, laodiceans is an artistic presentation of the
culture hero Paul as a ground of secure Christian identity for second-
century Christians, largely building on the apostle’s moral character in
contrast to other possible teachers. Whether such an articulation of Paul
by the writer of laodiceans was connected to a specific historical occasion
(e.g., doctrinal controversy, ecclesiastical power struggle, etc.) or was
merely a literary articulation of Paul that emerged from an appreciative
memory of and fascination with the apostle, cannot be determined. What
can be determined, however, is that, as a pseudo-Pauline letter, laodi-
ceans offers a well constructed and unique portrait of the famed apostle
to the gentiles.
My hope in offering this essay is that the dust will finally be blown off of
laodiceans, allowing future scholarship to recognize the internal rhetor-
ical qualities of the letter (in conjunction with its epistolary arrangement),
and thus situate this little letter within discussions of the impact of the
Pauline tradition upon second-century Christianity.