OCTOBER 13 2018 LISTENER 67
TV OD: TVNZ has a
stack of interesting
shows launching on
OnDemand this week.
Peter Haynes’ AFK,
the story of six video
gamers stuck inside
their online avatars,
quietly built a following
after its debut – and did
well enough to earn a
second season and a major step up in produc-
tion values. It launches on Thursday.
There’s also The Trade, a five-part documen-
tary from Matthew Heineman, director of Cartel
Land, which looks at the faces behind the US
opioid trade, from the poor Mexicans who bleed
poppies for their sap to the American parents
watching their children die. The cinematogra-
phy is arresting, the content unsettling and the
series itself very timely. It launches on Tuesday.
And Splitting Up Together, the family comedy
about family breakup, returns for a second
season with Jenna Fischer (The Oice) and
Oliver Hudson (Nashville) as divorced parents
who take turns living in the family home. It
launches on Wednesday. Those are all at tvnz.
co.nz/shows.
challenging project that was
further complicated by their
own design decisions. Their
asymmetrical octagon of a
dream dwelling soon sucks up
their budget – but they have
no choice but to press on and
do the hard work themselves.
THURSDAY OCTOBER 18
Great Innovators: The Rise
of Australian Wine (National
Geographic, Sky 072, 8.30pm).
He gets about, that Sam Neill.
Here he brings his avuncular
style and his practical knowl-
edge of winemaking to bear
on the past, present and future
of Australian winemaking.
Some great killer facts – both
Napoleon III and Queen Vic-
toria enjoyed Australian wines
- give way to a look at more
recent decades and even the
cork-versus-cap debate. It’s cel-
ebratory rather than rigorous,
but it would be nice to think
Mr Two Paddocks might be
commissioned to do the same
for our wine industry one day.
Mr Inbetween (SoHo, Sky 010,
10.00pm). The hugely com-
petitive nature of modern
television requires broadcasters
to take risks – and America’s
FX channel was surely having
a punt when it commissioned
Mr Inbetween, which is based
on the obscure 2005 Australian
indie film The Magician. But
even before Australians got to
see this black comedy on their
own screens, the Hollywood
Reporter had called it one of
the best shows of 2018. It’s a
victory for Scott Ryan, who
wrote the original movie and
Online
Catch of the Week
captures a lot of the raw
moments,” says Hameister. “I
was hoping that they would
do that, because I think that’s
what people want to see.”
How raw?
“It hurts, and you are always
cold. You get in the tent and
you think the stove will warm
you up, or your sleeping bag,
but you’re always cold.
“There was lots of strength
training, putting on muscle.
We did tyre-pulling on the
beaches to simulate what it
would feel like, but we couldn’t
prepare for the cold.”
Inevitably, she had
moments when she wanted to
call the whole thing off.
“I was never going to go
home,” she says, “it was just a
matter of stopping, taking a
couple of deep breaths and
realising that I didn’t want
to go home and I wanted to
finish it.”
She’s settling back into
school now, having promised
her parents she’d complete
her education. But she’s not
ruling out future adventures.
SVOD HIGHLIGHT: What’s
good in subscription video
on demand. There’s been
a big buzz about Mad
Men creator Matthew
Weiner’s new project
The Romanos, not least
because of its stellar cast,
which includes Aaron
Eckhart, Diane Lane, Noah Wyle and Christina
Hendricks (and that’s not even counting the
guest stars). One reason for the very long
cast list is that it’s written as eight separate
stories about people who believe themselves
to be descendants of the Russian royal family.
Those eight stories are shot in seven diferent
countries. It launches worldwide on Amazon
Prime Video on October 12.
AFK
Rock‘n’Roll Guns for Hire:
The Story of the Sideman,
Wednesday.