26 THENEWYORKER,SEPTEMBER30, 2019
Surgical robots have thin rods instead of bulky hands, and the rods never tremble.
ANNALS OFMEDICINE
DR. ROBOT
An Italian surgeon prefers to do his cutting by remote control.
BY D.T. MAX
ILLUSTRATION BY ELENA XAUSA
W
hen Pier Giulianotti was a medi
cal student, he hated the sight of
blood. In the midseventies, he travelled
from his native Italy to Spain, on a fel
lowship, and watched a lung resection.
“I nearly fainted,” he recalled recently.
“I had to sit down in the corner.” The
next day, he attended a plasticsurgery
procedure. “Something more gentle,”
he told himself. “This will be for me!”
The patient had a burn scar on her face.
First, the surgeons removed the damaged
skin. “You’ve seen the movie ‘Termina
tor’?” Giulianotti said. “I was trembling
on my legs, but I was trying to resist.”
After the surgeons prepared a graft by
slicing healthy skin from the woman’s
thigh—“Swoosh swoosh swoosh, like cut
ting a piece of salami!”—he went woozy.
Again he was led to the chair of shame.
Giulianotti considered quitting medi
cine, but he loved helping patients. He
got over his squeamishness and decided
to specialize in surgery, but kept won
dering if the practice could be refined.
“I am Tuscan—anatomy is painting,”
he said to himself. “Surely there is a
more artistic way to interact with the
human body.”
He finished his medical studies and
did surgical residencies at the Univer
sity of Pisa and the University of Milan,
which are among Italy’s best medical
faculties. In the mideighties, he be
came an expert in laparoscopic surgery,
in which a doctor inserts a camera in
side a small incision and then uses the
video to guide surgical tools that have
been inserted into the body through
other incisions. Minimally invasive sur
gery speeds recovery and reduces the
length of hospital stays. But he found
that laparoscopic equipment was dis
orienting to use—among other prob
lems, depending on the position of the
probe inside the body, the image that
the surgeon sees can be backward.
In 1999, Giulianotti remembers, he
attended a conference in Germany, spon
sored by Johnson & Johnson, where the
company demonstrated a prototype of
a robotic arm for use in performing sur
gery. The response was tepid—the sur
geons present said that they just wanted
better laparoscopic tools. Johnson &
Johnson shelved the project, but Giu
lianotti was galvanized by the concept.
“Ninety per cent of the surgeons said
bullshit,” he said. “But I knew.”
On a recent morning in Chicago,
Giulianotti, who looks a little like Ar
nold Schwarzenegger with white hair,
put on a sterile gown and cap, covered
his craggy face with a surgeon’s mask,
and entered an operating room. Giu
lianotti is now a professor of surgery at
the University of Illinois College of
Medicine, where he runs a program in
roboticassisted surgery. At the age of
sixtysix, he has now performed roughly
three thousand procedures with the aid
of a robot, and has helped train nearly
two thousand surgeons in the art. Farid
Gharagozloo, a professor at the Univer
sity of Central Florida and a surgeon at
the Global Robotics Institute, said of
Giulianotti, “He singlehandedly started
the area of general surgery in robotics,
and I don’t think that’s an overstate
ment. No matter what the field, there’s
a certain panache and sort of genetic
makeup that makes people the lead
ers—makes them do things that no one
else wants—and Pier has that.” Ghara
gozloo said that, when he watched vid
eos of Giulianotti’s surgeries, he was left
“in awe.” Giulianotti was the first sur
geon to perform more than a dozen ro
botic procedures, ranging from kidney
transplants to lung resections. In the
operating room, he relies on one robot:
a multiarmed, oneandahalf million
dollar device named the da Vinci.