Goulet.pdf

Denise Nuttall
There are many different tals, each having a certain number of beats or
matras. For example, one of the most widely used and popular tals in Hin-
dustani music is tin tal, which has sixteen beats.
Tihai (Hindi) “A third part.” A bolphrase that is repeated three times.
Tihais These standard cadential patterns are used to conclude various types of
compositions such as the rela (a type of composition played very fast) and
thekaida. They are also found at the end of tukras (short compositions),
chakradhars, and others.
Theka (Hindi) “Prop,” “support,” “mainstay.” A rhythmic outline or structure
used by tabla players to keep time within the tal cycle. It outlines the struc-
tural form and also the divisions of the tal. Each talhas a different theka.
Eachtheka consists of a specified number and arrangement of bols; how-
ever, the structure of the theka can and is elaborated on in performance.
Theka is played prior to and after a composition.
Ustad (Persian) “Master,” “expert.” Used as a form of address for Muslim
teachers.