PC Gamer - UK (2022-07)

King Arthur: Knight’s Tale sidesteps

much of this by picking up where

NeocoreGame’s 2009 dark fantasy

King Arthur – The Role-playing

Wargame left off, and where most

retellings stop. Arthur

and Mordred have

killed each other at the

Battle of Camlann, and

the Lady of the Lake

has taken Arthur’s body

to Avalon.

The Lady awakens

the deceased Mordred

on the legendary island,

which is a kind of purgatorial

upside-down of the real Britannia, to

save the world. Your mission: to

reconstruct Camelot, reassemble the

Round Table, and go after Arthur,

who has become an undead monster.

The game is a party-based RPG

with turn-based tactical combat along

the lines of XCOM, Darkest Dungeon

and Divinity, taking mechanics from

each. This makes it very familiar

territory. It can also be a roguelite,

depending on your chosen difficulty

level, with save-free permadeath

available for the masochists out there.

The mission structure is simple.

Assemble your team from the

available knights and follow the

prompts as you explore each

environment. You return with loot,

XP, and often a new knight for your

Round Table. When a fight occurs,

you spend your action

points to move, fight,

and cast spells until the

enemy is vanquished.

That might feel a little

basic, but the balance

of armour, hit points

and vitality – health

that does not

regenerate during the

mission – demands a touch of

subtlety, rather than just charging in

to hack and slash. Each party of

knights needs to be balanced and

play to its strengths, with each class

• the axe-wielding Champion, the
  tank-like Defender, the sneaky
  Vanguard, the supporting Sage, plus
  ranged weapon heroes, the
  Marksman and the Arcanist –
  fulfilling easily identifiable roles.
  They work as a team and will end up
  covering for the wounded members.

FOR THE GUIN

That combat is satisfying, with a nice

juicy feel and satisfying set of noises,

all without undue gibbing and blood,

and is challenging enough without

being pointlessly frustrating. You can

move the camera freely, allowing you

to see the battleground from all

angles, and the campfires and shrines

to restore HP or armour are on the

right side of generous.

I’m not as experienced as some in

this genre, but I figured most things

out, even without the few cursory

in-game pointers that dried up almost

immediately. I did eventually discover

the tutorials in the menus, but not

before I’d gone online looking for

advice on the complex mechanics. I

couldn’t get the hang of Overwatch at

first, but there were always other

ways to rout the enemy, as long as

you remember to face them. The

Backstab modifier is a killer.

The game started awkwardly, then

rapidly improved once the formal

mission structure established itself,

especially once I stopped paying

attention to the story. When I did, a

well-structured and finely balanced

combat game appeared. The

challenge ramped up smoothly, with

plenty of tension and clever problem-

solving, without ever feeling unfair.

But eventually the maps grew

tiresomely samey – the same woods,

the same dungeons and the same

ruins. You spend too long wandering

round confusing landscapes, with

your team running behind you like a

grimdark Benny Hill show. This

might be forgivable if they were

procedurally generated, but someone

created all this and presumably

watched a playtester struggle.

Turning the camera is all very well,

but without a compass it’s easy to get

lost. Likewise, it’s too easy to wander

back into a fight you’ve seen and are

avoiding while looking for a campfire.

That’s not a challenge, it’s a pain.

That dichotomy is everywhere.

The atmosphere is gloomy and

melancholic, or, being uncharitable,

it’s relentlessly grey and dull. The

fancy mist effects obscure paths and

combat squares in a way that’s not

T

here’s no canon version of the Arthurian legend, and as such

it’s fertile ground for reinterpretation. From Thomas

Malory’s Le Morte d’Arthur to T H White’s The Once and

Future King, or from Frank Miller’s Cursed to John

Boorman’s gorgeous but somewhat flawed Excalibur,

everyone has their own notion of what it is and what it represents. In my

case, it was a lifelong thing for Cherie Lunghi.

AVALON CALLING

Is KING ARTHUR: KNIGHT’S TALE the Holy Grail or a wholly fail?

By Matt Killeen

Each party of

knights needs

to be balanced

and play to its

strengths

NEED TO KNOW

WHAT IS IT?

Turn-based dark

fantasy RPG with

roguelite elements

EXPECT TO PAY

From £32

DEVELOPER

NeocoreGames

PUBLISHER

In-house

REVIEWED ON

GTX 980 Ti, Intel

i5-4690K, 32GB RAM

MULTIPLAYER

No

LINK

neocoregames.com/

en/games/

king-arthur-knights-

tale

CRONE, MOTHER OR MAIDEN? The women of Avalon and their tropes

LADY DINDRAINE

Sensible hair.

Christian Union type.

LADY GUINEVERE

Surprisingly, not to

blame this time.

LADY MORGAWSE

Bad mum. Helen

Mirren energy.

LADY BOUDICEA

Wild redhead.

Revenge backstory.

LADY OF THE LAKE

Dressed in lingerie.

Not to be trusted.

King Arthur: Knight’s Tale

REVIEW