Australian Wood Review – June 2019

(やまだぃちぅ) #1

68 Australian Wood Review


WOODTURNING

Made by

Hand...and Leg

Jeff Donne shows how the power of the ancient pole lathe lives on.


T


his guy at a village fair eyed me
up and down. With a befuddled
look on his face, his gaze moved to
the contraption I was leaning on like
a straw-chewing farmer on a lunch-
time break.

‘Is that a guillotine?’ he said,
scratching his chin. And so begins
our beguiling journey into antiquity
and kookiness that is a pole lathe.

These ancient contraptions with
roots lost in the sawdust of time were
the tools of bodgers, the itinerant
woodworkers from 17th century
Buckinghamshire who made chair
parts from trees in the woods,
emerging only after the sun had set
on a day of hard graft.

Some say this is where the bodgers
got their name, their profession being
a corruption of ‘badger’, that stripy-
headed, ill-tempered combination of
wombat and Tasmanian devil that
snuffles around English woodlands
and gardens at night.

Others say the bodgers are
responsible for the badge of dishonour
bestowed upon fly-by-night tradies
who build houses without roofs and
other ‘bodgie jobs’, because bodgers,
who made parts for chair builders,
were masters of doing half the job.

What we do know, however, is that
pole lathes are surprisingly efficient
machines that are easy to use
given time, and they offer a deeply
satisfying way of working with wood.

How it works
A pole lathe is a reciprocating lathe,
which means the blank being turned
spins in alternate directions. The blank
is driven with a strip of cord that’s
wrapped twice around and attached to
something springy at one end, and a
foot operated treadle at the other.

When your foot pushes the treadle the
blank is turned towards a sharp tool
waiting to craft anything from chair
legs to baby rattles, and when you lift
your foot back up, the blank turns in
the opposite direction.

That’s right, a pole lathe only cuts
wood for half the time you are
actually at the machine. So if you
are spending a couple of hours
turning some Windsor chair legs,
about an hour of that is down time,
albeit spread over about a thousand
individual rest periods; it’s like work
and smoko rolled into one.

The rhythm you achieve with a
reciprocating lathe is actually a
beautiful thing. With some practice
you develop a gentle rocking motion
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