Grand Designs Australia Sourcebook — November 2017

(avery) #1

GRAND DESIGNS AUSTRALIA SOURCEBOOK


(^) // EDITOR’S LETTER
FROM THE EDITOR
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B
uilding your own home is a personal
quest that is still ‘the dream’ for
many; the creation of a sanctuary
that embraces its inhabitants, a
haven from the pandemonium of the world,
and, upon occasion, an opportunity for
artistic expression.
Upon reading each of the projects featured
in Grand Designs Australia throughout this
year’s season, I was reminded of the depth of
the personal journey each couple, individual
or family undertake in creating their own
abode. What is encouraging in these stories
is that the state of the property market, both
here and overseas, is not deterring people
but is in fact generating a wave of creativity
and ingenuity that is inspiring them to come
up with inventive design and construction
options that are helping them achieve ‘the
dream’ on their own terms.
One project that illustrates this observation
is the Ocean Shores Chipboard House. With
this project, the homeowners used ingenuity
to overcome a tight budget and restricted time
frame that resulted in a clever, aesthetically
appealing and practical abode that met the
requirements of their current stage of life. It
was an encouraging result that exemplifi es
what can be achieved with a little forward
planning — and the support of professionals
who share your vision.
Something that couldn’t be ignored while
exploring this year’s crop of grand designs
was the global infl uence refl ected in many of
the projects. Given the unprecedented access
we now have to products and services from
around the world, it’s not surprising to see
so much global design infi ltrating not just
interiors but also architecture itself. With
the American Barns project, the fact that the
Verry family shipped an entire barn over from
America and erected it on their property on
the outskirts of Auckland is a great example
of how the face of architecture and design is
changing through cultural proximity.
This kind of connection opens up so many
avenues for people to aid them in achieving
the dream of building their own haven.
The product options now available and the
professional assistance that abounds all
work to keep this global momentum fl owing



  • though the choices can be overwhelming.
    With a preponderance of ideas, from the
    internet to magazines to TV shows, both
    local and international, it’s easy to get lost in
    a maze of ideas. That’s where Grand Designs
    Sourcebook comes in handy.
    Over 200 pages of exciting projects and
    stunning products provide you with a wealth
    of inspiration and practical direction on
    where to go to fi nd exactly what you need to
    achieve design cohesion. And, if you need
    guidance narrowing it down, an industry
    professional can help you to solidify what


you want and show you what will work
best in your space and complement your
architecture. The range of interior designers
and architects listed within these pages
is a great way to get in touch with the
professionals that can help you to realise
your own dream.
Most importantly of all, we hope you read
this year’s Sourcebook and feel inspired.

Nicole
NICOLE MULLOY
EDITOR

I LOVE THE FACT THAT CORK
IS BACK. NO LONGER THE
‘70S EYESORE, TODAY’S CORK
OFFERS SO MANY BENEFITS.
premiumfl ooring.com.au

I adore the mid-century vibe of this living space and the ‘life’
provided by indoor plants. Photography Tessa Neustadt

The persevering popularity of this
pendant is indicative of the endurance of
good design. livingedge.com.au

Because art should
have a sense of humour!
trishalambi.com

y of this
ance of
com.au
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