Brecht.Inthe largercontext of this book, his involvement withKuhleWampe,
that classic of leftist filmmaking from the lateWeimaryears, offers the perfect
final casestudyboth for the long history and the enduringrelevanceofproletar-
ian identifications.
Fig. 17.9John Heartfield, cover ofFreie
DeutscheKultur3(March1942), Deutsche
Nationalbibliothek, Deutsche Exilarchiv
1933 – 1945.Copyright 2017 The Heartfield
Community of Heirs/Artists Rights Society
(ARS), NewYork/VGBild-Kunst Bonn.318 Chapter 17