The Sunday Times - UK (2022-06-05)

(Antfer) #1
5 June 2022 39

THE BEST TV FROM IPLAYER AND BEYOND... TUESDAY 7 JUNE


Punk On TV
With Danny Boyle and Frank
Cottrell Boyce’s Sex Pistols
biopic, Pistol, currently
under scrutiny over on
Disney+, viewers might be
curious as to what punk
rock really looked like 46
(gulp!) years ago. Don Letts’s
protean The Punk Rock
Movie and Wolfgang Buld’s
1977 documentary Punk In
London (both YouTube)
capture that ugly urgency,
but also how cheap, grotty
and uncertain everything
looked. Lech Kowalski’s
1980 doc, D.O.A. — A Rite
Of Passage (YouTube) is an
American outsider’s view
of British punk in its death
throes, with footage of the
Pistols on their 1978 tour
of America. It is thrilling,
miserable, depressing and
terrifying, often all at the
same time. You might decide
you prefer Danny Boyle’s
shinier version after all.
Andrew Male

Team America —
World Police
(Sky Cinema Hits, 1.45pm)
The title of this comedy from
Matt Stone and Trey Parker,
the creators of South Park,
hints at the film’s main line
of attack. The duo come out
with all guns blazing in their
assault on gung-ho American
militarism and the action
movies that endorse it.
For good measure, though,
they also rip into pompous
Hollywood liberals. Nothing is
safe from the film’s crude and
immensely funny onslaught,
which supports its jokes
with a brilliant tactic: all the
characters are Thunderbirds-
style marionettes. (2004)

Black Rain (Film4, 9pm)
Playing a shady American cop
in Japan, Michael Douglas
adds juice to this thriller with
one of his scornful antihero
performances. Meanwhile, the
film’s director, Ridley Scott,
supplies visual flashiness,
making 1980s Osaka look
much like Blade Runner’s
imagined Los Angeles. (1989)
Edward Porter

Money for old rope (C4, 10pm) Capshaw and Douglas (Film4, 9pm)

FILM CHOICE


ON DEMAND


Borgen (Netflix)
It’s now ten years since Sidse
Babett Knudsen’s formidable
Birgitte Nyborg graced our
screens. One of the more
unlikely successes from our
Scandi-drama love affair,
Borgen worked because it
offered complex and engaging
human drama plus politicians


Smashie & Nicey —
End Of An Era (YouTube)
This spoof documentary from
1994 might be the finest and
funniest piece of sustained
film-making that Harry Enfield
and Paul Whitehouse have
worked on. An acutely
observed profile of has-been
DJs as they say farewell to the
Beeb, it is also a clever and
relevant skewering of hubris,
ignorance and power.
Andrew Male

We Feed People (Disney+)
Jose Andres was formerly a TV
chef in love with the sound of
his own voice. Now, he helms
World Central Kitchen, an
aid organisation providing
food and relief after natural
disasters. Ron Howard’s
profile is structurally and
narratively unremarkable
but, because Andres is such
a captivating subject, the
footage from disaster zones is
utterly, terrifyingly thrilling.

Chip ’n Dale — Rescue
Rangers (Disney+)
Disney does its own version
of Who Framed Roger Rabbit
with this spoofy revival of
the cartoon chipmunks who
starred in a television series
in the late 1980s. Adults might
appreciate its mockery of
recent trends in animated
movies; children don’t have
to get those jokes to be able to
enjoy the film’s merriment.
Dir: Akiva Schaffer (2022) EP

you actually cared about. Back
with a Netflix budget, Nyborg
is now foreign minister in a
coalition government run by
an insufferably self-centred
female PM. Unfortunately,
the show also falls back on
a narrative formula (the
discovery of oil, ruthless
big business) overfamiliar
to any Scandi-drama fans.
Thankfully, the cast, especially
Knudsen, are magnificent and
rise above such trifles.

The word on the street: Jon Bernthal plays a corrupt Baltimore cop (Sky Atlantic, 9pm)

We Own This City
(Sky Atlantic, 9pm)
Fourteen years after The Wire
ended, screenwriter David
Simon is back in Baltimore
and, if anything, its police
department seems even more
dysfunctional. In part one’s
strand, set in 2017, BPD task
force leader Wayne Jenkins
( Jon Bernthal) is able to
enrich himself corruptly
with impunity. Similarly, in
flashbacks to 2015, everyone
tells government attorney
Nicole Steele (Wunmi Mosaku)
that Daniel Hersl ( Josh
Charles) is the department’s
worst racist but is unsackable.
Bernthal is riveting, and
Simon is still peerless at
portraying street policing and
ghetto life. Be aware, though,
he doesn’t do exposition
scenes, so googling may
sometimes be needed to
work out what’s going on.
John Dugdale

Lucy Worsley Investigates:
Princes In The Tower
(BBC2, 9pm)
The doughty bluestocking tries
to unlock the secrets of the
1483 murder of two young
princes, observing the rituals
of television historians: up
library ladders, dragging books
from shelves and striding
through castle gates, her nose
wrinkling in delight at the
revelation of even the slimmest
500-year-old insight. Armed
with her pen and notebook,
Worsley’s own elegant
illustrations help illuminate
the human relationships of a
fraught period, but she is first
and foremost a formidable
historian, suitably cynical
when faced with relics
religious and historical, and a
splendid asset to the BBC.
Helen Stewart

Hungry For It (BBC3, 8pm)
Reswizzling the competitive
cooking format for the Insta
generation, Stacey Dooley
oversees ten aspiring rookie
cooks all wanting to “smash
it”. They aim to impress the
rapper Big Zuu and chef Kayla
Greer in their Peckham-based
studio in order to win work
experience in some of the
world’s greatest kitchens.

Heritage Rescue
(Quest, 9pm)
A sort-of DIY SOS for buildings
that need their roofs saving,
in which the enthusiastic Nick
Knowles heads to Oxburgh Hall
in Norfolk, which was first
built in 1482 for Sir Edmund
Bedingfeld. After a window
collapsed in 2016, revealing
years of neglect, it requires
a £6 million renovation.

The Bridge — Race To
A Fortune (C4, 10pm)
AJ Odudu presents as two teams
of eight contestants travel to
Ha Long Bay in Vietnam
hoping to win £200,000. The
catch? They have to build a
bridge with their bare hands
in 12 days to reach the prize,
which seems unlikely as their
nerves fray fairly quickly.
Ian Wade

CRITICS’ CHOICE


No future?

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