FINCH CHARM
AUTHOR AND IMAGES DAVID PACE
I HAD BEEN LIVING AND WORKING
ON THE SURF COAST of Victoria for 18
years and was in the process of selling my
property to move to Adelaide. Eventually
my entire bird collection was sold or given
away and the planted aviary complex and
bird room was empty. I hoped the aviaries
would not detract from the sale of the
property, and my real estate agent thought
I would sell quickly due to its location
and overall presentation. However, the
property remained on the market several
months after I had moved. Potential buyers
cited many reasons for not buying, ranging
from the size of the home, to the property
being too ‘bushy’, to a fear of snakes.
Things were looking grim and the thought
that I may have to dismantle the entire
aviary complex began to enter my mind. I
remembered well-known NSW aviculturist
and real estate agent Peter Phippen’s
article in a past issue of ABK stating that
aviaries were often a deterrent to buyers.
Finally, after six months, I received a
phone call from my real estate agent: ‘I
think I’ve sold your house. When he saw
your aviaries he literally wet himself!’
Sure enough, the sale proceeded and it
was the aviary complex that clinched the
deal. The buyer was a wildlife exhibitor
that held dingoes, owls, frogmouths,
kookaburras and many reptiles. The
aviaries saved the day. I now had the funds
to put into a new complex in Adelaide. I
had spent several months without birds
and I was itching to get back on my
avicultural journey.
A ROCKY START
The fi rst step was to get the design and
plans drawn up. This was a speedy process
and I enlisted my old friend Mick Morris,
a professional builder, also residing in
Adelaide. Mick and I have both played in
the notorious Melbourne-based rock band
the Painters and Dockers for the past 35
years. Mick had always said that one day
he would build a set of aviaries for me.
Well, the time had come. Drawings were
completed by his architect son, Will, and
before long we were ready to apply to the
local council for a planning permit. This
is where things became challenging. The
council wanted to know why the complex
was so large, if it was a business, and what
species I would keep, fearing noise and
my neighbours’ reactions. After ‘educating’
the offi cer on aviculture, highlighting my
photographic and education backgrounds
and assuring council of the ‘quiet’
nature of fi nches and softbills, approval
was eventually granted, but not before
neighbours were offi cially notifi ed about
the impending work. No objections were
lodged, so we could move forward! This
process had taken a further six months.
What followed was a soil test, an
engineer’s report, working drawings and
approval by council for a building permit.
It is little wonder some aviculturists
bypass all this to construct illegal aviaries!
Fast forward another six months and we
were ready to start. After a great deal of
frustration, I was now getting excited.
BUILDING BEGINS
Demolition of a large unused water tank
and outbuilding began. The 15m x 8m site
was cleared and, before long, the concrete
foundations were poured. The aviary was
After the slab is laid, rocks and logs are
positioned, prior to the walls being erected
Aviary footings are 60cm deep to keep rodents at bay, and drainage pipes are installed to
avoid future waterlogging
ESTABLISHING A
Finch and Softbill Aviary
to be rodent-proof and 60cm footings were
installed and drainage and water pipes
laid to ensure fresh running water and to
prevent waterlogging of the aviary soil.
The frame was constructed of timber,
with 6.5mm rodent-proof wire mesh
utilised on all exposed external walls and
ceiling. This mesh, along with all timber,
was painted black to aid viewing and for
aesthetics. The closed external walls were
clad in Colorbond™, while Versiclad™
(generally used in outdoor entertaining
areas) was utilised on the roof. It clicks
together and has a Colorbond™ top,
thick foam insert and clean, smooth fi nish
underneath. Its insulation properties
are excellent and have kept the aviary
shelter and service area at a comfortable
temperature despite extremes in outside
temperatures. The cost was balanced by
the fact that it was installed quickly and
without the need for a timber structure
underneath. Electrical cables were easily
installed within it and the fi nish is neat,
without any possibility of draughts or
vermin entering the roof cavity.
PLANTING
Vegetation within the aviary was a priority.
In fi nch and softbill keeping, dry aviaries
are always a preference. However, living
vegetation will not thrive in bone-dry
conditions, so the decision was made early
to have half of the aviary ceiling open to the
elements, allowing in direct sunlight and
rain. It was important to ensure adequate
drainage, so aggie pipes were installed at
one end to redirect excess water into the
stormwater system. A variety of substrates
were utilised to enhance drainage.