Metro Australia — January 2018

122 •Metro Magazine 195 | © ATOM

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As China is a highly competitive market for the screen sector,

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can be released through the country’s normal domestic chan

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allowed in each year.^8

Double the trouble?

There are downsides to international

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inducing red tape:

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Todd Fellman – a producer on!@HS#and the forthcoming

Australian–Chinese titleAt Last<LZHL /LX t HFKRHV WKHVH VHQ

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a lot of overlap in certain areas.’

According toAFew Less Men0DUN /DPSUHOO  SUR

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whether Australia has an existing agreement with the country

in question:

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In all, however, Taylor contends that out of this sort of

adversity can come true collaboration:

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Lost in translation

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Taylor found the cultural differences

refreshing:

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The death of Australian stories?

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instead emphasising action and universal experiences. The

storyline of!@HS#, for example, is essentially ‘sharks in

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nothing to particularly stamp it as being of either culture. The

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through the eyes of another. InAFew Less Men, three British

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brings those cultures together.’

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ries are being ignored in favour of stories that will resonate in

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homogenisation of Australian storytelling – a loss of the nuances

and cultural understanding, in favour of broad stereotypes that

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to thought not.

‘You need the project

to creatively suit a co-

production structure

... Whether it’s the

locations, the technical

expertise, or cast or other

creative elements, a co-

production needs to

organically make sense

• not be something
  that’s forced.’

TODD FELLMAN