Metro Australia — January 2018

(WallPaper) #1

22 •Metro Magazine 195 | © ATOM


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Road to production


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premiere at the 2017 Adelaide Film Festival, as a dream run.
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sustainability – and Howling recounts that one of the biggest
adjustments was getting used to the rigid structure of a feature
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duction values are also a plus, though they do entail managing
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the script given the schedule and resources at their disposal,
and also how to accomplish it all ‘without compromising on
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gauging a sense of how much action can be shot has been one
of the most valuable lessons in moving into longform drama,
along with getting a feel for when a scene may have too much
complexity on the page.

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Budget limitations


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the script level, nearly all of which were made prior to shooting.
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were used, meaning travel time also had to be factored in on
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scenes were cut and amalgamated, no major compromises
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Two-for-one directors


While the duo have joined the global ranks of genre directors
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and Cameron Cairnes are notable examples in the Australian
context – each had a loose area of specialisation during"@QFN’s
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to story and working with actors, Howling was more focused
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their level of prep was such that they only needed to confer
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Out into the world


With domestic distribution handled by Umbrella, it remains to be
seen whether"@QFNZLOO IDUH EHWWHU DW WKH ORFDO ER[ RIĺFH WKDQ LWV
recent genre brethren. From3GD +NUDC .MDR 6HDQ %\UQH 
and!KNNCX BQDR(The Cairnes brothers, 2012), to3GDRD%HM@K
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