Metro Australia — January 2018

http://www.metromagazine.com.au | © ATOM | Metro Magazine 195• 35

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when identical twins are the focal point of a cinematic nar

rative, the work becomes fertile ground for exploring the

subconscious terrain of identity formation.

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less quest for reconciliation with the promised illusion of

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agency of the infant, who is yet to master control of its

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to exert control over the physical and social environment.

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tion the ‘ideal ego’. From that moment of initial contact

with a romanticised version of ourselves, our unconscious

seeks an unattainable state of perfection, and is therefore

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a powerful device for exploring disquieting generic tropes,

from the body horror of#D@C 1HMFDQR'DYLG &URQHQEHUJ

1988) to the psychological horror of&NNCMHFGS ,NLLX

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cinematic images go, few are more instantly recognisable

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This spread, L–R:Rabbit;That’s Not Me

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