Metro Australia — January 2018

(WallPaper) #1

40 •Metro Magazine 195 | © ATOM



  • it’s beautiful, but also quite a harsh environment. Canberra is
    one of those places where we’ve got sunshine, a wide variety of
    locales and, logistically, it’s easier to get around, so it had all the
    WKLQJV ZH QHHGHG WR PDNH D ĺOPRQDWLQ\EXGJHWWKDWORRNHGD
    lot bigger than what it was.


7KH ğOP LV DOVR YHU\ FRQVFLRXVO\ JHDUHG WRZDUGV DQ LQWHUQDWLRQDO
PDUNHW LW LVQłW VSHFLğFDOO\ VHW LQ $XVWUDOLD \RX KDYH SUHGRPLQDQWO\
$PHULFDQ DFFHQWV DQG \RXłYH JRW DQ $PHULFDQ QDPH LQ WKH PDLQ
FDVW WRR 'R \RX IHHO PRUH $XVWUDOLDQ ğOPPDNHUVVKRXOGEHORRNLQJ
DWWKHJOREDOPDUNHWIURPWKHRXWVHW"


CB: The reality is that the local market is very small, so I think
you either decide to do something unashamedly Australian or
it’s got to appeal to an international market. I think, if you’re
PDNLQJ D ĺOP MXVW IRU $XVWUDOLD >WKDW FDQ EH@ YHU\ OLPLWLQJ KRZ
HYHU WKHUHpV D ORW RI ĺOPV WKDW DUH YHU\ $XVWUDOLDQ WKDW FDQ DSSHDO
LQWHUQDWLRQDOO\ WRR :H LQWHQWLRQDOO\ PDGH D VFLĺ ĺOP EHFDXVH
LWpV WKH NLQG RI JHQUH ĺOP WKDW FDQ VHOO LQWHUQDWLRQDOO\ HYHQ LI \RX
don’t have big stars in it. It was our best shot at getting a global
DXGLHQFHZLWKRXWLWEHLQJWRR$XVWUDOLDFHQWULF


,WłV ZRUWK PHQWLRQLQJ WKDW \RXU FDVW LQFOXGHVVRPHFLQHPDYHWHU
DQV+RZGLG\RXDWWUDFWWKHVHWDOHQWV"


CB: We had them for about a day or two each, and that was
RQH RI WKH JUHDW ZD\V RI GRLQJ LW WKH ZD\ ZH GLG ZH KDG WKUHH
locations in a day that you had to get around to, and you just
couldn’t have done that anywhere else. We originally planned
WR PDNH WKH ĺOP RQ D VXSHU ORZ EXGJHW EXW LW UHDOO\ JRW WR WKH
point where we were thinking whether it would be worth seeing
if we could cast up in these roles.


6DUDK 0DVRQ :H DFWXDOO\ KDG D PHHWLQJ ZKHUH ZH ZHUH
discussing all our ideal people for each role, and one of
XV VDLG o,PDJLQH LI ZH JRW %LOO\ =DQH %UXFH 6SHQFH@MC
-DFN 7KRPSVRQp DQGZHDOOVRUWRIODXJKHG$QGWKHQLW
MXVW}KDSSHQHG

&% :LWK -DFN LW ZDV D YHU\ WUDGLWLRQDO WKLQJ :H GLGQpW UH
DOLVH KH ZDV D VFLHQFH ĺFWLRQ IDQ DQG KH MXVW UHDOO\ ORYHG
the script – it was as simple as that. He was a real boost for
the production: people were like, ‘Oh, we’re making a real
movie!’ The same with Bruce: we only had him for a day and
he was just perfect! The gold for us is when you go out with
WKHP IRU GLQQHU DQG WKH\ WHOO \RX WKHLU VWRULHV DQG JLYH \RX VR
PXFK ZLVGRP WKDW LW EHFRPHV D PDVWHUFODVV 'LUHFWLQJ -DFN
Thompson is like a masterclass in directing, too, because you
learn very quickly what to do and what not to do.

60 , WKLQN WKDW IRU D ORW RI WKH FDVW DV ZHOO LW ZDV D UHDO SOHDV
XUH >f@ WR EH DEOH WR ZRUN ZLWK WKHVH DFWRUV EHFDXVH WKH\ ZHUH
in very dynamic roles and they were bouncing off each other.
I think having some very experienced actors with that sort
RI JUDYLWDV DQG FRQĺGHQFHLQWKHPVHOYHVDIIHFWHGWKHZKROH
culture on set.

$ ğOP RI WKLV JHQUH DQG RQ WKLV VFDOH UHTXLUHV D FRQVLGHUDEOH
DPRXQW RI ZRUOGEXLOGLQJ SDUWLFXODUO\ LQ WHUPV RIWKHVFLHQFH
EHKLQGLW+RZPXFKWLPHZDVVSHQWRQWKDW"

CB: I wanted the science to be plausible, even if it’s not real.
$W WKH PRPHQW LW PD\ QRW EH UHDO EXW , VSHQW TXLWH D ORW RI WLPH
on the underlying sides of the genetic mutation, and how the
radiation triggered stuff from bacteria, and all this sort of stuff

Above, clockwise from top left:AKE-AD#AP3TEPHEN(UNTER -ARION"OLUDE7ATSON AKEWITH$R(ARRIS*ACK4HOMPSON

Free download pdf