Metro Australia — January 2018

(WallPaper) #1

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TRSQ@KH@M 2TQUHUNQ, however, I became curious as to why this local adaptation wasn’t
an enjoyable experience. Was it the casting? Was it just bad luck that most of the
contestants who were avid2TQUHUNQfans were voted out early? With, at one stage,
there being three episodes airing weekly, was it just too much of a good thing? To
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particularly her analysis of the localisation of/NO (CNKfor a Canadian audience.^1
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collaborations between production companies and local media ecologies, which
consist of media and cultural agents ‘linked through their use ofRODBHkB OQNCTB-
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The Australian television industry is dominated by format producers, such as the
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type of commercial negotiation that an international format can be adapted for
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CAPE, IT
ISES ARE
LD. BUT
WHAT IS GAINED AND WHAT IS LOST WHEN SUCH (RE)PROGRAMMING


IS CARRIED OUT? USING 4231 +( - 2415(5.1AS A CASE STUDY,


STUART RICHARDSINVESTIGATES THE PROCESS OF LOCALISATION IN


THE CONTEXTS OF REALITY TELEVISION, MEDIA ECOLOGIES AND THE


NOTION OF ‘QUALITY TELEVISION’.


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FOR

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