Metro Australia — January 2018

(WallPaper) #1

94 •Metro Magazine 195 | © ATOM


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vampires to terrorise foolhardy locals and tourists who
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initially reluctant to pursue Walker’s tip. ‘I don’t need to go
somewhere to get chased by someone with a chainsaw,’
he says. ‘I’d rather jump in the ocean to feel alive and get
pounded by waves.’
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nessed not only the incredible talent of the predominantly
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tween them. This ‘haunted’ setting seemingly houses a
family that comprises individuals who have not otherwise
enjoyed much of a support network. Habicht then grasped
the real story:

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Road less well travelled


Habicht relishes the unusual, the experimental and the
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Fine Arts in Auckland, he intended to follow in his father’s
photography footsteps, but found himself painting or
drawing over his efforts, creating narrative sequences that
almost resembled storyboards – which, ironically, Habicht

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Habicht acknowledges he had a crush on this woman
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This playfulness and willingness to subvert form –
working from his gut, rather than a cinematic tradition


  • has inspired an intriguing career. The score, sound
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    unseen, performersmand again starredPeters, this
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    as it is bewildering. As2DMRDRNE"HMDL@ critic Philip
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Steeling himself to investigate Spookers, Habicht
witnessed not only the incredible talent of the
predominantly young crew, but also the enviable
camaraderie shared between them.
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