Australian_Photography__Digital_-_September_2015_

(Tuis.) #1

52 AUSTRALIANPHOTOGRAPHY.COM


HOW TO Lightroom and Photoshop Retouching Workflows


AUSTRALIAN PHOTOGRAPHY + DIGITAL SEPTEMBER 2015

Modern retouching


workflows often require
you to switch between
several programs to make
the most of different
editing features. In this

tutorial, Mark Galer
shows you how to switch
between Lightroom and
Photoshop in order to take
control of colour and tone.

Download the start image
and follow the steps.

Mix


it up!


w
w
w.
au
str
alianphotogra

ph

y.
co

m

-^ D


OW


NLO


AD^ FREE (^) F
RO
M
(^) •
(^)
(^)
(^)
(^)
(^) A
WARD
G
OLD (^)
(^)
w
w
w.
au
str
alianphotogra
ph
y.
co
m






P


HO


TO^ C


OMPETIT


ION


(^) •
w
w
w.
au
str
alianphotogra
ph
y.c
om


-^ IM


AGE^ D


OCTOR


(^) •
ON THE
NET
SOFTWARE
Lightroom 5
and Adobe
Photoshop CC
RATING
Advanced
START IMAGE
T
he start image for this project was shot
late one afternoon at Princes Pier in Port
Melbourne with a Sony A6000 and an
off-camera f lash fired through a white
umbrella. The image was underexposed by 1.3 stops,
but the final image has failed to capture the ideal
tonal balance between the model and the background.
That’s okay because the tonal information in the
Raw file sits comfortably between the goal posts of
absolute black and white, so there’s plenty of room to
redistribute the highlight and shadow information in
Lightroom before we move the file into Photoshop
CC to complete the retouching and grading process.
Turn the page to get started. ❂
Note: This workflow requires you use the same version
of Camera Raw in Photoshop CC and Lightroom 5.
Unfortunately, because we’ve used Radial Filters in
Lightroom, and Camera Raw as a Smart Filter in
Photoshop CC, you can’t complete this tutorial using
Photoshop CS6 and Lightroom 4.

Free download pdf