Entertainment Weekly - February 24 - March 3, 2017

(Axel Boer) #1

Judd
Apatow,
Pete
Holmes,
and
comedian
Dov
Davidoff


Dustin
Lance
Black on
set in San
Francisco’s
Castro
district

comedians like T.J. Miller, Sarah
Silverman, and Artie Lange. Is that
also based on true experiences?
HOLMESWhen I got divorced, the
first people I called were Nick Kroll
and John Mulaney and T.J. Miller—
all the pals. Like, T.J. was a big help
in healing his sad friend. He took
me to his movie set and we
smoked pot for the first time. All
these things started happening
[in real life], so we wanted to do a
dramatization of what that’s like,
when someone from a really kind
of ethical, more traditional world
is accepted by degenerates.
[Laughs] Like, people who sleep
all day and don’t think twice about
doing drugs or having casual sex.

So it sounds like people should
viewCrashingas an uplifting
love letter to comedy rather than
a sad show about divorce.
APATOW Pete loves comedy so
much that it’s infectious. This
show is about someone trying to
be very positive and hold on to
their morality while traveling in the
weird, dark world of comedians.
HOLMESIt’s very interesting to
find hope and something really
beautiful in that world. Judd and
I both enjoy stories about finding
unlikely grace and redemption,
and unexpected support
and love, and that’s what I found.

I THOUGHT, THAT’S AN
INTERESTING IDEA—
A RELIGIOUS GUY
GETS KICKED OUT OF
THE SHALLOW
END OF COMEDY INTO
THE DEEP END.”
—PETE HOLMES

EYES ON THERISE
Oscar winner and LGBT advocateDustin Lance Black brings the fight for equality to life with ABC’s
miniseriesWhen We Rise (debuting Feb. 27, 9 p.m.). Set in San Francisco more than 40 years ago and
starring Guy Pearce, Mary-Louise Parker, and Michael Kenneth Williams, the docudrama has acquired
an even greater relevance postelection. Here’s a look into Black’s vision of hope.BY MARC SNETIKER

As the country turns
primal, Dustin Lance
Black is turning to
prime time. The 42-year-old
screenwriter, catapulted
to fame for scripting 2008’s
Oscar-winning Harvey Milk
biopicMilk, is extending his
LGBT advocacy to TV with
ABC’s impactful miniseries
When We Rise. The four-part
docudrama charts the entan-
gled lives of real-life activists
in the gay, women’s, and black
civil rights movements in
1970s San Francisco.
“I would give anything in
the world for the series to be
less necessary and relevant,”
Black says on a call from Lon-
don, where he currently lives
with his fiancé, British Olympic
diver Tom Daley. “I know what
it feels like this year. ‘Leaders’
saying lives are less worthy of
protection. I hope this show
can be a road map for young
people, to know that they have
forefathers and foremothers
who faced backlash like this
before and pushed back and
won. In no way is this series a
history lesson. It’s a torch.”
Rise is not Black’s first foray
into TV—he wrote for HBO’s
Big Love—but it marks his
debut as a series creator, a
role demanding reconciliation
between one’s dreams and
network notes. After a “tough”
studio process onMilk, he
was understandably skeptical

when he heard ABC was seek-
ing LGBT history projects in
2013: “ABC was a network
I was allowed to watch, unat-
tended, as a child in a conser-
vative Mormon military home,
and now they’re optioning
LGBT books? I was really curi-
ous why, because onMilk, just
a few years before, I had to
charge every dime of develop-
ment on a credit card because
nobody was interested.”
But ABC was enthusiasti-
cally on board with his
ideas, perhaps an indication
that Hollywood may finally be
catching up. Black doesn’t
decry being labeled one of
the industry’s go-to gay rights

storytellers, but he says his
devotion to activism isn’t
born entirely from his relation-
ship to LGBT issues. “My
mom was paralyzed from the
age of 7, and the first anger
I felt at watching someone be
treated unfairly was when
I realized how people were
looking at her,” says Black.
“I turned that anger into pur-
pose. I think I dedicate my
life to moving the needle
towards the better treatment
of people who are different.
I called the showWhen
We Rise because that was my
main concern—we had
lost sight of the importance
of that middle word:we.”


Michael Kenneth Williams, Austin P.
McKenzie, and Mary-Louise Parker


.
r

A PIONEER FOR CHANGE

BLACK, PARKER: PHIL BRAY/ABC (2); WILLIAMS, MCKENZIE: EIKE SCHROTER/ABC (2)

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