May. June 19
buzz
heathlands and breathtaking mountain
vistas. “You get a feeling of exposure
and danger, and the elements are all
laid out in front of you,” Nigel says.
“It’s like you are literally at the end of
the earth. And, of course, we had Bob
there shepherding us through these
beautiful walks, talking the whole time
about the flora and fauna and the way
the Aboriginals used to live here. His
passion, knowledge and love of the
area are so infectious, and that’s what
I really took away from the trip.”
The challenging concerto inter-
sperses brisk dynamic sections, reminis-
cent at times of wild bird shrieks and
calls or the howl of gales, with quieter,
expansive moments reflecting the area’s
solitude. The woodwind oboe seems
ideal for a musical evocation of such
windswept wilderness. Nigel hopes
Spirit of the Wild, which he describes
as a hymn to nature, will inspire others
to value our natural legacy.
“My trip to Bathurst Harbour
reminded me of the preciousness of the
wilderness and of our propensity to be
subsumed by materialism,” he says.
“We neglect our connection to
country and the wonders of the
natural world, choosing instead to
value only those elements of our
environment that can be quantified by
monetary worth. Such wild places are
truly priceless and we exploit and
destroy them at our peril.”
In the shadow of Mt
Rugby (above), low-
growing native shrubs
thrive along Bathurst
Harbour’s shoreline,
staining its waters
golden brown.
The oboe seems ideal for a
musical evocation of such
windswept wilderness.
FOR DETAILS of where you can next experience
Spirit of the Wild see The List, p108.