48 LIMELIGHT MAY 2017 http://www.limelightmagazine.com.au
O 1984
Theyear1984mighthavecome
andgonewithfewilleffects,but,
saysJason Blake,GeorgeOrwell’s
dystopian nightmare has seldom
seemed quite so up-to-date –and
it’s coming to a theatre near you...
W
hen US President Donald
Trump’s counselor Kellyanne
Conwayalertedtheworldtothe
existence of “alternative facts”
in January this year, George
Orwell’s novel 1984 rocketed
tothetopofthefictionbestsellerlists.Thebook’s
American publisher, Penguin USA, rushed 75,000
copies into the shops. They flew off the shelves.
The British director and playwright Duncan
Macmillan, who was then in the United States
supervising the upcoming Broadway production of
histheatricalversionof 1984 ,watchedithappen.
“Theterm‘Orwellian’isbeingusedonadailybasisand
perhaps people are reaching for the book to understand
exactly what is meant by it,” says Macmillan, who, with
collaborator Robert Icke, created the acclaimed stage
adaptation for the UK touring company Headlong in 2013.
Icke and Macmillan’s 1984 ,whichopenedatthe
Nottingham Playhouse before transferring to the
WestEndin2014,isnowbeingpresentedbytheState
Theatre Company of South Australia on a national tour
thatincludesaseasonatSydneyTheatreCompany.
“It’stemptingtolooktoOrwellasaNostradamus-
like prophet,” says Macmillan. “If readers want to
findourcurrenttimesreflectedinthebookthey’ll
find it: austerity, fear, perpetual war, terrorism,
surveillance, objective truth, the censoring of language
asameansofcontrollingthoughts.It’sallthere.”
When Macmillan and Icke began work on their
adaptation, the news was frequently dominated by
the revelations of former National Security Agency
analystEdwardSnowden.FiveEyes,PRISM,Stone
GhostandECHELONwerenolongersecretdata
collection programs but major media and watercooler
talking points. Issues of privacy, security and liberty
wereontheagendaandatunprecedentedlevels.
“WewereinrehearsalduringthetimeofChelsea
ManningandWikiLeaksandthemurderof[British
Army soldier] Lee Rigby in Woolwich,” Macmillan
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